“Coming with you?” she said, as though it was obvious.
“Coming with me where?”
“To Portland, love.”
Portland was our last show and a sort of homecoming as we’d all be basing there now. Not in a communal House of Rock anymore. Liz and Sarah were getting their own place. Mike was moving in with his girlfriend. And Fitzy and I were renting a house together. But we were all still in the same area, within walking distance to one another and the rehearsal space we now rented.
“We’re in a van. Not a tour bus,” I told her, looking down at my Converse. “And Portland’s the last show, a kind of friends-and-family thing. You shouldn’t come.” And you are not my love.
She frowned and I’d slunk out the door, thinking that was the last of it. But when I showed up to sound check in Portland, she was there, waiting for me in the Satyricon. I told her to leave, not very nicely. It was along the lines of: There’s a name for this and it’s called stalking. I was a dick, I know, but I was tired. I’d asked her not to come. And she was freaking me out in a big way. Not just her. Four girls in two weeks was doing my head in. I needed to be alone.
“Piss off, Adam. You’re not even a bloody rock star yet, so stop acting like such a self-important wanker. And you weren’t even that good.” This she shouted in front of everyone.
So I had the roadies throw her out. She left screaming insults about me, my sexual prowess, my ego.
“Wilde Man, indeed,” Liz said, raising an eyebrow.
“Yeah,” I said, feeling like the opposite of a wild man, actually wanting to sneak into a room and hide. I didn’t know it yet, but once the real tour started—the one our label sent us on after the album went haywire, a five-month slog of sold-out shows and groupies galore—all I’d wanted to do was hide. Given my isolationist tendencies, you’d think I’d have learned to stay away from the freebie affection on such constant offer. But after shows, I craved connection. I craved skin—the taste of another woman’s sweat. If it couldn’t be hers, well, then anyone’s would do . . . for a few hours. But I’d learned one lesson—no more overnight guests.
So, that night in Seattle may have been the first time I became a guy. But it wasn’t the last.
FOURTEEN
The boogeyman sleeps on your side of the bed
Whispers in my ear: “Better off dead.”
Fills my dreams with sirens and lights of regret
Kisses me gently when I wake up in a sweat
“BOO!”
COLLATERAL DAMAGE, TRACK 3
I go with Mia to the ferry anyway. Because what else am I going to do? Throw a tantrum because she hasn’t kept an up-to-date catalog of every conversation we’ve ever had. It’s called moving on.
And she’s right about the ferry being dead. At four thirty in the morning, not a lot of demand for Staten Island. There are maybe a dozen people sprawled out in the downstairs deck. One trio of late-night stragglers is sacked out on a bench, rehashing the evening, but as we pass them, one of the girls lifts her head and stares at me. Then she asks her friend, “Dude, is that Adam Wilde?”
The friend laughs. “Yeah. And next to him is Britney Spears. Why the hell would Adam Wilde be on the Staten Island Ferry?”
I’m asking myself the same question.
But this is apparently one of Mia’s things, and this is her farewell-to-New-York-even-though-I’m-not-actually-leaving tour. So I follow her upstairs to the bow of the boat near the railing.
As we pull away from New York, the skyline recedes behind us and the Hudson River opens up to one side, the harbor to the other. It’s peaceful out here on the water, quiet except for a pair of hopeful seagulls following in our wake, squawking for food, I guess, or maybe just some company in the night. I start to relax in spite of myself.
And after a few minutes, we’re close to the Statue of Liberty. She’s all spotlit in the night, and her torch is also illuminated, like there’s really a flame in there, welcoming the huddled masses. Yo, lady, here I am.
I’ve never been to the Statue of Liberty. Too many crowds. Aldous once invited me on a private helicopter tour, but I don’t do choppers. But now that she’s right here, I can see why this is on Mia’s list. In pictures, the statue always looks kind of grim, determined, But up close, she’s softer. She has a look on her face, like she knows something you don’t.
“You’re smiling,” Mia says to me.
And I realize I am. Maybe it’s being granted a special pass to do something I thought was off-limits. Or maybe the statue’s look is contagious.
“It’s nice,” Mia says. “I haven’t seen it in a while.”
“It’s funny,” I reply, “because I was just thinking about her.” I gesture toward the statue. “It’s like she has some kind of secret. The secret to life.”
Mia looks up. “Yeah. I see what you mean.”
I blow air out my lips. “I could really use that secret.”
Mia tilts her head out over the railing. “Yeah? So ask her for it.”
“Ask her?”
“She’s right there. No one’s here. No tourists crawling around her feet like little ants. Ask her for her secret.”
“I’m not going to ask her.”
“You want me to do it? I will, but it’s your question, so I think you should do the honors.”
“You make a habit of talking to statues?”
“Yes. And pigeons. Now, are you going to ask?”
I look at Mia. She’s got her arms crossed across her chest, a little impatient. I turn back to the railing. “Um. Statue? Oh, Statue of Liberty,” I call out quietly. No one is around, but this is still really embarrassing.
“Louder,” Mia prods.
What the hell. “Hey, excuse me,” I call out, “what’s your secret?”
We both c**k our ears out over the water, as though we expect an answer to come racing back.