"Teach me to feel another's woe,

To hide the fault I see;

That mercy I to others show,

That mercy show to me."--Pope.

Sanderson, during his visits to the Bartlett farm--and they became more

frequent as time went on--would look at Anna with cold curiosity, not

unmixed with contempt, when by chance they happened to be alone for a

moment. But the girl never displayed by so much as the quiver of an

eye-lash that she had ever seen him before.

Had Lennox Sanderson been capable of fathoming Anna Moore, or even of

reading her present marble look or tone, he would have seen that he had

little to apprehend from her beyond contempt, a thing he would not in

the least have minded; but he was cunning, and like the cunning

shallow. So he began to formulate plans for making things even with

Anna--in other words, buying her off.

His admiration for Kate deepened in proportion as the square of that

young woman's reserve increased. She was not only the first woman who

refused to burn incense at his shrine, but also the first who frankly

admitted that she found him amusing. She mildly guyed his accent, his

manner of talking, his London clothes, his way of looking at things.

Never having lived near a university town, she escaped the traditional

hero worship. It was a new sensation for Sanderson, and eventually he

succumbed to it.

"You know, Miss Kate," he said one day, "you are positively the most

refreshing girl I have ever met. You don't know how much I love you."

Kate considered for a moment. There was a hint of patronage, it seemed

to her, in his compliment, that she did not care for.

"Oh, consider the debt cancelled, Mr. Sanderson. You have not found my

rustic simplicity any more refreshing than I have found your poster

waistcoats."

"Why do you persist is misunderstanding and hurting me?"

"I apologize to your waistcoats, Mr. Sanderson. I have long considered

them the substitute for your better nature."

"Better natures and that sort of thing have rather gone out of style,

haven't they?"

"They are always out of style with people who never had them."

"Is this quarreling, Kate, or making love?"

"Oh, let's make it quarreling, Mr. Sanderson. And now about that horse

you lent me. That's a vile bit you've got on him." And the

conversation turned to other things, as it always did when he tried to

be sentimental with Kate. Sometimes he thought it was not the girl,

but her resistance, that he admired so much.




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