I lifted them; I looked out. My eye, prepared to take in the range of a long, large, and whitewashed chamber, blinked baffled, on encountering the limited area of a small cabinet--a cabinet with seagreen walls; also, instead of five wide and naked windows, there was one high lattice, shaded with muslin festoons: instead of two dozen little stands of painted wood, each holding a basin and an ewer, there was a toilette-table dressed, like a lady for a ball, in a white robe over a pink skirt; a polished and large glass crowned, and a pretty pin-cushion frilled with lace, adorned it. This toilette, together with a small, low, green and white chintz arm-chair, a washstand topped with a marble slab, and supplied with utensils of pale greenware, sufficiently furnished the tiny chamber.

Reader; I felt alarmed! Why? you will ask. What was there in this simple and somewhat pretty sleeping-closet to startle the most timid? Merely this--These articles of furniture could not be real, solid arm- chairs, looking-glasses, and washstands--they must be the ghosts of such articles; or, if this were denied as too wild an hypothesis--and, confounded as I was, I did deny it--there remained but to conclude that I had myself passed into an abnormal state of mind; in short, that I was very ill and delirious: and even then, mine was the strangest figment with which delirium had ever harassed a victim.

I knew--I was obliged to know--the green chintz of that little chair; the little snug chair itself, the carved, shining-black, foliated frame of that glass; the smooth, milky-green of the china vessels on the stand; the very stand too, with its top of grey marble, splintered at one corner;--all these I was compelled to recognise and to hail, as last night I had, perforce, recognised and hailed the rosewood, the drapery, the porcelain, of the drawing-room.

Bretton! Bretton! and ten years ago shone reflected in that mirror. And why did Bretton and my fourteenth year haunt me thus? Why, if they came at all, did they not return complete? Why hovered before my distempered vision the mere furniture, while the rooms and the locality were gone? As to that pincushion made of crimson satin, ornamented with gold beads and frilled with thread-lace, I had the same right to know it as to know the screens--I had made it myself. Rising with a start from the bed, I took the cushion in my hand and examined it. There was the cipher "L. L. B." formed in gold beds, and surrounded with an oval wreath embroidered in white silk. These were the initials of my godmother's name--Lonisa Lucy Bretton.




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