More than ten days had passed since Stella's death. Her mother had asked me to see to the arrangements for the child's funeral, declaring herself too ill to attend to anything. I was glad enough to accede to her request, for I was thus able to avoid the Romani vault as a place of interment. I could not bear to think of the little cherished body being laid to molder in that terrific place where I had endured such frantic horrors. Therefore, informing all whom it concerned that I acted under the countess's orders, I chose a pretty spot in the open ground of the cemetery, close to the tree where I had heard the nightingale singing in my hour of supreme misery and suffering. Here my little one was laid tenderly to rest in warm mother-earth, and I had sweet violets and primroses planted thickly all about the place, while on the simple white marble cross that marked the spot I had the words engraved-"Una Stella svanita," [Footnote: A vanished star] adding the names of her parents and the date of her birth and death. Since all this had been done I had visited my wife several times. She was always at home to me, though of course, for decency's sake, in consequence of the child's death, she denied herself to everybody else.

She looked lovelier than ever; the air of delicate languor she assumed suited her as perfectly as its fragile whiteness suits a hot-house lily. She knew the power of her own beauty most thoroughly, and employed it in arduous efforts to fascinate me. But I had changed my tactics; I paid very little heed to her, and never went to see her unless she asked me very pressingly to do so. All compliments and attentions from me to her had ceased. SHE courted me, and I accepted her courtship in unresponsive silence. I played the part of a taciturn and reserved man, who preferred reading some ancient and abstruse treatise on metaphysics to even the charms of her society--and often, when she urgently desired my company, I would sit in her drawing-room, turning over the leaves of a book and feigning to be absorbed in it, while she, from her velvet fauteuil, would look at me with a pretty pensiveness made up half of respect, half of gentle admiration--a capitally acted facial expression, by the bye, and one that would do credit to Sarah Bernhardt. We had both heard from Guido Ferrari; his letter to my wife I of course did not see; she had, however, told me he was "much shocked and distressed to hear of Stella's death." The epistle he addressed to me had a different tale to tell. In it he wrote--"YOU can understand, my dear conte, that I am not much grieved to hear of the death of Fabio's child. Had she lived, I confess her presence would have been a perpetual reminder to me of things I prefer to forget. She never liked me--she might have been a great source of trouble and inconvenience; so, on the whole, I am glad she is out of the way."




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