These arrangements decided on, my friend goes away (at my own request) to try his skill as an angler in the lake. Assisted by the silent Peter and the well-stocked medicine-chest, I apply the necessary dressings to my wound, wrap myself in the comfortable morning-gown which is always kept ready in the Guests' Chamber, and lie down again on the bed to try the restorative virtues of sleep.
Before he leaves the room, silent Peter goes to the window, and asks in fewest possible words if he shall draw the curtains. In fewer words still--for I am feeling drowsy already--I answer No. I dislike shutting out the cheering light of day. To my morbid fancy, at that moment, it looks like resigning myself deliberately to the horrors of a long illness. The hand-bell is on my bedside table; and I can always ring for Peter if the light keeps me from sleeping. On this understanding, Peter mutely nods his head, and goes out.
For some minutes I lie in lazy contemplation of the companionable fire. Meanwhile the dressings on my wound and the embrocation on my sprained wrist steadily subdue the pains which I have felt so far. Little by little, the bright fire seems to be fading. Little by little, sleep steals on me, and all my troubles are forgotten.
I wake, after what seems to have been a long repose--I wake, feeling the bewilderment which we all experience on opening our eyes for the first time in a bed and a room that are new to us. Gradually collecting my thoughts, I find my perplexity considerably increased by a trifling but curious circumstance. The curtains which I had forbidden Peter to touch are drawn--closely drawn, so as to plunge the whole room in obscurity. And, more surprising still, a high screen with folding sides stands before the fire, and confines the light which it might otherwise give exclusively to the ceiling. I am literally enveloped in shadows. Has night come?
In lazy wonder, I turn my head on the pillow, and look on the other side of my bed.
Dark as it is, I discover instantly that I am not alone.
A shadowy figure stands by my bedside. The dim outline of the dress tells me that it is the figure of a woman. Straining my eyes, I fancy I can discern a wavy black object covering her head and shoulders which looks like a large veil. Her face is turned toward me, but no distinguishing feature in it is visible. She stands like a statue, with her hands crossed in front of her, faintly relieved against the dark substance of her dress. This I can see--and this is all.