Of all the vagaries and humours of humanity when considered in crowds, there is nothing which appears more senseless and objectless than the way in which it congregates outside the door of a church at a fashionable or "society" wedding. The massed people pushing and shoving each other about have nothing whatever to do with either bride or bridegroom, the ceremony inside the sacred edifice has in most cases ceased to be a "sacrament"--and has become a mere show of dressed-up manikins and womenkins, many of the latter being mere OBJECT D'ART,--stands for the display of millinery.
And yet--the crowds fight and jostle,--women scramble and scream,--all to catch a glimpse of the woman who is to be given to the man, and the man who has agreed to accept the woman. The wealthier the pair the wilder the frenzy to gaze upon them. Savages performing a crazy war-dance are decorous of behaviour in contrast with these "civilised" folk who tramp on each other's feet and are ready to squeeze each other into pulp for the chance of staring at two persons whom the majority of them have never seen before and are not likely to see again. The wedding of Miss Lydia Herbert with her "ancient mariner," a seventy-year-old millionaire reputed to be as wealthy as Rockefeller,--was one of these "sensations"--chiefly on account of the fact that every unmarried woman young and old, and every widow, had been hunting him in vain for fully five years. Miss Herbert had been voted "no chance," because she made no secret of her extravagant tastes in dress and jewels,--yet despite society croakers she had won the game.
This in itself was interesting,--as the millionaire she had secured was known to be particularly close-fisted and parsimonious. Nevertheless he had shown remarkable signs of relaxing these tendencies; for he had literally showered jewels on his chosen bride, leaving no door open for any complaint in that quarter. Her diamonds were the talk of New York, and on the day of her wedding her gowns literally flashed like a firework with numerous dazzling points of light. "The Voice that breathed o'er Eden" had little to do with the magnificence of her attire, or with the brilliancy of the rose-wreathed bridesmaids, young girls of specially selected beauty and elegance who were all more or less disappointed in failing to win the millionaire themselves.
For these youthful persons in their 'teens had social ambitions hidden in hearts harder than steel--"a good time" of self-indulgence and luxury was all they sought for in life--in fact, they had no conception of any higher ideal. The millionaire himself, though old, maintained a fairly middle-aged appearance--he was a thin, wiry, well-preserved man, his wizened and furrowed countenance chiefly showing the marks of Time's ploughshare. It would have been difficult to say why, out of all the feminine butterflies hovering around him, he had chosen Lydia Herbert,--but he was a shrewd judge of character in his way, and he had decided that as she was not in her first youth it would be more worth her while to conduct herself decorously as wife and housekeeper, and generally look after his health and comfort, than it would be for a less responsible woman.