"That is none of mine," thought I, approaching; "it must be meant for somebody else." I stooped to examine the address:-"Wm. Crimsworth, Esq., No --, -- St., Brussels."
I was puzzled, but concluding that the best way to obtain information was to ask within, I cut the cords and opened the case. Green baize enveloped its contents, sewn carefully at the sides; I ripped the pack-thread with my pen-knife, and still, as the seam gave way, glimpses of gilding appeared through the widening interstices. Boards and baize being at length removed, I lifted from the case a large picture, in a magnificent frame; leaning it against a chair, in a position where the light from the window fell favourably upon it, I stepped back--already I had mounted my spectacles. A portrait-painter's sky (the most sombre and threatening of welkins), and distant trees of a conventional depth of hue, raised in full relief a pale, pensive-looking female face, shadowed with soft dark hair, almost blending with the equally dark clouds; large, solemn eyes looked reflectively into mine; a thin cheek rested on a delicate little hand; a shawl, artistically draped, half hid, half showed a slight figure. A listener (had there been one) might have heard me, after ten minutes' silent gazing, utter the word "Mother!" I might have said more--but with me, the first word uttered aloud in soliloquy rouses consciousness; it reminds me that only crazy people talk to themselves, and then I think out my monologue, instead of speaking it.
I had thought a long while, and a long while had contemplated the intelligence, the sweetness, and--alas! the sadness also of those fine, grey eyes, the mental power of that forehead, and the rare sensibility of that serious mouth, when my glance, travelling downwards, fell on a narrow billet, stuck in the corner of the picture, between the frame and the canvas. Then I first asked, "Who sent this picture? Who thought of me, saved it out of the wreck of Crimsworth Hall, and now commits it to the care of its natural keeper?" I took the note from its niche; thus it spoke:-"There is a sort of stupid pleasure in giving a child sweets, a fool his bells, a dog a bone. You are repaid by seeing the child besmear his face with sugar; by witnessing how the fool's ecstasy makes a greater fool of him than ever; by watching the dog's nature come out over his bone.
In giving William Crimsworth his mother's picture, I give him sweets, bells, and bone all in one; what grieves me is, that I cannot behold the result; I would have added five shillings more to my bid if the auctioneer could only have promised me that pleasure.