THE PERSIAN'S NARRATIVE CONCLUDED

The discovery flung us into a state of alarm that made us forget all

our past and present sufferings. We now knew all that the monster

meant to convey when he said to Christine Daae: "Yes or no! If your answer is no, everybody will be dead AND BURIED!"

Yes, buried under the ruins of the Paris Grand Opera!

The monster had given her until eleven o'clock in the evening. He had

chosen his time well. There would be many people, many "members of the

human race," up there, in the resplendent theater. What finer retinue

could be expected for his funeral? He would go down to the tomb

escorted by the whitest shoulders in the world, decked with the richest

jewels.

Eleven o'clock to-morrow evening!

We were all to be blown up in the middle of the performance ... if

Christine Daae said no!

Eleven o'clock to-morrow evening! ...

And what else could Christine say but no? Would she not prefer to

espouse death itself rather than that living corpse? She did not know

that on her acceptance or refusal depended the awful fate of many

members of the human race!

Eleven o'clock to-morrow evening!

And we dragged ourselves through the darkness, feeling our way to the

stone steps, for the light in the trap-door overhead that led to the

room of mirrors was now extinguished; and we repeated to ourselves: "Eleven o'clock to-morrow evening!"

At last, I found the staircase. But, suddenly I drew myself up on the

first step, for a terrible thought had come to my mind: "What is the time?"

Ah, what was the time? ... For, after all, eleven o'clock to-morrow

evening might be now, might be this very moment! Who could tell us the

time? We seemed to have been imprisoned in that hell for days and days

... for years ... since the beginning of the world. Perhaps we should

be blown up then and there! Ah, a sound! A crack! "Did you hear

that? ... There, in the corner ... good heavens! ... Like a sound of

machinery! ... Again! ... Oh, for a light! ... Perhaps it's the

machinery that is to blow everything up! ... I tell you, a cracking

sound: are you deaf?"

M. de Chagny and I began to yell like madmen. Fear spurred us on. We

rushed up the treads of the staircase, stumbling as we went, anything

to escape the dark, to return to the mortal light of the room of

mirrors!

We found the trap-door still open, but it was now as dark in the room

of mirrors as in the cellar which we had left. We dragged ourselves

along the floor of the torture-chamber, the floor that separated us

from the powder-magazine. What was the time? We shouted, we called: M.

de Chagny to Christine, I to Erik. I reminded him that I had saved his

life. But no answer, save that of our despair, of our madness: what

was the time? We argued, we tried to calculate the time which we had

spent there, but we were incapable of reasoning. If only we could see

the face of a watch! ... Mine had stopped, but M. de Chagny's was

still going ... He told me that he had wound it up before dressing for

the Opera ... We had not a match upon us ... And yet we must know ...

M. de Chagny broke the glass of his watch and felt the two hands... He

questioned the hands of the watch with his finger-tips, going by the

position of the ring of the watch ... Judging by the space between the

hands, he thought it might be just eleven o'clock!




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