Its entrance was by no means easy to discover: But this was no obstacle to Ambrosio, who at the time of Antonia's Funeral had observed it too carefully to be deceived. He found the door, which was unfastened, pushed it open, and descended into the dungeon. He approached the humble Tomb in which Antonia reposed. He had provided himself with an iron crow and a pick-axe; But this precaution was unnecessary. The Grate was slightly fastened on the outside: He raised it, and placing the Lamp upon its ridge, bent silently over the Tomb. By the side of three putrid half-corrupted Bodies lay the sleeping Beauty. A lively red, the forerunner of returning animation, had already spread itself over her cheek; and as wrapped in her shroud She reclined upon her funeral Bier, She seemed to smile at the Images of Death around her. While He gazed upon their rotting bones and disgusting figures, who perhaps were once as sweet and lovely, Ambrosio thought upon Elvira, by him reduced to the same state. As the memory of that horrid act glanced upon his mind, it was clouded with a gloomy horror. Yet it served but to strengthen his resolution to destroy Antonia's honour.
'For your sake, Fatal Beauty!' murmured the Monk, while gazing on his devoted prey; 'For your sake, have I committed this murder, and sold myself to eternal tortures. Now you are in my power: The produce of my guilt will at least be mine. Hope not that your prayers breathed in tones of unequalled melody, your bright eyes filled with tears, and your hands lifted in supplication, as when seeking in penitence the Virgin's pardon; Hope not that your moving innocence, your beauteous grief, or all your suppliant arts shall ransom you from my embraces. Before the break of day, mine you must, and mine you shall be!'
He lifted her still motionless from the Tomb: He seated himself upon a bank of Stone, and supporting her in his arms, watched impatiently for the symptoms of returning animation. Scarcely could He command his passions sufficiently, to restrain himself from enjoying her while yet insensible. His natural lust was increased in ardour by the difficulties which had opposed his satisfying it: As also by his long abstinence from Woman, since from the moment of resigning her claim to his love, Matilda had exiled him from her arms for ever.
'I am no Prostitute, Ambrosio;' Had She told him, when in the fullness of his lust He demanded her favours with more than usual earnestness; 'I am now no more than your Friend, and will not be your Mistress. Cease then to solicit my complying with desires, which insult me. While your heart was mine, I gloried in your embraces: Those happy times are past: My person is become indifferent to you, and 'tis necessity, not love, which makes you seek my enjoyment. I cannot yield to a request so humiliating to my pride.'