In the drawing-room, cool and comfortable in the green shade of the Venetian blinds of the bay window, stood Laura, leaning on the piano, close to Guy, who sat on the music-stool, looking thoroughly at home in his brown shooting-coat, and loosely-tied handkerchief.

Any one but Philip would have been out of temper, but he shook hands as cordially as usual, and would not even be the first to remark on the heat.

Laura told him he looked hot and tired, and invited him to come out to the others, and cool himself on the lawn. She went for her parasol, Guy ran for her camp stool, and Philip, going to the piano, read what they had been singing. The lines were in Laura's writing, corrected, here and there, in Guy's hand.

BE STEADFAST.

Two loving hearts may sever, Yet love shall fail them never. Love brightest beams in sorrow's night, Love is of life the light.

Two loving hearts may sever, Yet hope shall fail them never. Hope is a star in sorrow's night, Forget-me-not of light.

Two loving hearts may sever, Yet faith may fail them never. Trust on through sorrow's night, Faith is of love and hope the light.

Two loving hearts may sever, For sorrow fails them never. Who knows not love in sorrow's night, He knows not love in light.

Philip was by no means pleased. However, it was in anything but a sentimental manner that Guy, looking over him, said, 'For sever, read, be separated, but "a" wouldn't rhyme.'

'I translated it into prose, and Guy made it verse,' said Laura; 'I hope you approve of our performance.'

'It is that thing of Helmine von Chezy, "Beharre", is it not?' said Philip, particularly civil, because he was so much annoyed. 'You have rendered the spirit very well', but you have sacrificed a good deal to your double rhymes.'

'Yes; those last lines are not troubled with any equality of feet,' said Guy; 'but the repetition is half the beauty. It put me in mind of those lines of Burns-"Had we never loved so kindly, Had we never loved so blindly, Never met and never parted, We had ne'er been broken hearted;"

but there is a trust in these that is more touching than that despair.'

'Yes; the despair is ready, to wish the love had never been,' said Laura. 'It does not see the star of trust. Why did you use that word "trust" only once, Guy?'

'I did not want to lose the three--faith, hope, love,--faith keeping the other two alive.'




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