'The fascination of his "Giaour" heroes has an evil influence on some minds,' said Philip. 'I think you do well to avoid it. The half truth, resulting from its being the effect of self-contemplation, makes it more dangerous.'
'True,' said Guy, though he little knew how much he owed to having attended to that caution, for who could have told where the mastery might have been in the period of fearful conflict with his passions, if he had been feeding his imagination with the contemplation of revenge, dark hatred, and malice, and identifying himself with Byron's brooding and lowering heroes!
'But,' continued Philip, 'I cannot see why you should shun the fine descriptions which are almost classical--the Bridge of Sighs, the Gladiator.'
'He may describe the gladiator as much as he pleases,' said Guy; 'indeed there is something noble in that indignant line-Butchered to make a Roman holiday; but that is not like his meddling with these mountains or the sea.'
'Fine description is the point in both. You are over-drawing.'
'My notion is this,' said Guy,--'there is danger in listening to a man who is sure to misunderstand the voice of nature,--danger, lest by filling our ears with the wrong voice we should close them to the true one. I should think there was a great chance of being led to stop short at the material beauty, or worse, to link human passions with the glories of nature, and so distort, defile, profane them.'
'You have never read the poem, so you cannot judge,' said Philip, thinking this extremely fanciful and ultra-fastidious. 'Your rule would exclude all descriptive poetry, unless it was written by angels, I suppose?'
'No; by men with minds in the right direction.'
'Very little you would leave us.'
'I don't think so,' said Amabel. 'Almost all the poetry we really care about was written by such men.'
'Shakspeare, for instance?'
'No one can doubt of the bent of his mind from the whole strain of his writings,' said Guy. 'So again with Spenser; and as to Milton, though his religion was not quite the right sort, no one can pretend to say he had it not. Wordsworth, Scott--'
'Scott?' said Philip.
'Including the descriptions of scenery in his novels,' said Amy, 'where, I am sure, there is the spirit and the beauty.'
'Or rather, the spirit is the beauty,' said Guy.
'There is a good deal in what you say,' answered Philip, who would not lay himself open to the accusation of being uncandid, 'but you will forgive me for thinking it rather too deep an explanation of the grounds of not making Childe Harold a hand-book for Italy, like other people.'