Roma's bosom was visibly stirred by her breathing, but she answered

quietly: "No matter! Why should I care what is thought of my conduct by people

who have no morality of their own to judge me by?"

"Really now?" said the Countess, twisting the wrinkles of her old face

into skeins of mock courtesy. "Upon my word, I didn't think you were so

simple. Understand, miss, it isn't the opinion of the Princess Bellini I

am thinking about, but that of the Baron Bonelli. He has his dignity to

consider, and when the time comes and he is free to take a wife, he is

not likely to marry a girl who has been talked of with another man.

Don't you see what that woman is doing? She has been doing it all along,

and like a simpleton you've been helping her. You've been flinging away

your chances with this Rossi and making yourself impossible to the

Minister."

Roma tossed her head and answered: "I don't care if I have, Aunt Betsy. I'm not of the same mind as I used

to be, and I think no longer that the holiest things are to be bought

and sold like so much merchandise."

The old lady, who had been bending forward in her vehemence, fell back

on the pillow.

"You'll kill me!" she cried. "Where did you learn such folly? Goodness

knows I've done my best by you. I have tried to teach you your duty to

the baron and to society. But all this comes of admitting these

anarchists into the house. You can't help it, though. It's in your

blood. Your father before you...."

Crimson and trembling from head to foot, Roma turned suddenly and left

the room. Natalina and Felice were listening on the other side of the

door.

But not even this jarring incident could break the spell of Roma's

enchantment, and when dinner was over, and she had gone to the studio

and closed the door, the whole world seemed to be shut out, and nothing

was of the slightest consequence.

Taking the damp cloth from the bust, she looked at her work again. In

the light of the aurora she now lived in, the head she had wrought with

so much labour was poor and inadequate. It did not represent the

original. It was weak and wrong.

She set to work again, and little by little the face in the clay began

to change. Not Peter any longer, Peter the disciple, but Another. It was

audacious, it was shocking, but no matter. She was not afraid.




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