“A what?”

“Jeepers, the comet?” the taller of the girls said in a thick New York accent. “It’s comin’ t’rough New York in a coupla weeks. It comes once every fifty years or somethin’. ’Posed to be a—whaddaya call it, Bess?”

“Event of heavenly significance,” the other girl enunciated carefully. “Like magic or something. All them magicians and holy rollers thought it was a sign. Anyhow, the club’s having a real swell party for it. You should come. Oh, your coat is the cat’s meow!”

“Thank you,” Evie said, pleased. She looked over the flyer. It was a caricature drawing of a flapper dancing up a storm, her cocktail glass sloshing its contents. Above her, a magnificent comet arced over the skyline of New York City. The artist had given the comet a face, and it smiled down at the fetching girl. Its fiery tail showered sparkles on the city.

“You don’t wanna miss out on the most magical night of the year, do you?” the taller girl asked.

“Not on your life-ski,” Evie said.

Solomon’s Comet. An event of heavenly significance. Perhaps it would bring her luck. At any rate, it was a dandy reason for a party, and thinking of the night ahead and the nights to come, she went merrily on her way, clutching the flyer. At the corner, she waited for the traffic cop to signal the all clear with his white-gloved hands. He blew his whistle, spurring the crowd into action again, and Evie turned toward home.

Behind her, the newsboy held the late-edition paper aloft, shouting the headline to anyone who might have a nickel. “Extra! Extra! Madman threatens to kill again!”

SMOKE AND MIRRORS

Outside the Globe Theatre on Forty-second Street, the lighted marquee blazed FLORENZ ZIEGFELD PRESENTS NO FOOLIN’: A MUSICAL REVUE GLORIFYING THE AMERICAN GIRL in tall letters. People in eveningwear drifted into the grand beaux arts theater, excited to see stars like Fanny Brice, Will Rogers, and W. C. Fields, along with the talented singing, dancing chorines and the celebrated Ziegfeld girls, beautiful models who crossed the stage in elaborate headdresses and elegant, barely-there costumes. It was the epitome of glamour, and Evie could scarcely believe they were taking their very own seats up in the curved balcony beside all the swells in their furs and jewels.

Evie nudged Mabel. “Oh, look, there’s Gloria Swanson.” She nodded toward the lower level, where the seductive motion-picture starlet, draped in ermine and velvet, enjoyed the stares of admirers. “She is the elephant’s eyebrows,” Evie whispered appreciatively. “Those jewels! How her neck must ache.”

“That’s why Bayer makes aspirin,” Mabel whispered back, and Evie smiled, knowing that even a socialist wasn’t immune to the dazzle of a movie star.

The lights dimmed and the girls squeezed each other’s hands in excitement. The conductor lifted his baton and a rousing opening song rose from the orchestra pit. The curtains opened, and a bevy of smiling chorus girls in brightly colored bathing suits tap danced in perfect synchronization while a tuxedo-clad gentleman sang of beautiful girls. Evie had never been so excited. She loved everything about the show, from the funny yodeling number set in the Alps to the swirling dance that took place in the harem of a sheik of Araby. She wished it would never end, but she could see from the program that they had come to the finale. It was said that Mr. Ziegfeld always saved the most spectacular number for last. The lights flickered to suggest lightning. From the orchestra pit came the crash of cymbals and the sharp shriek of violins against a violent drumbeat. Smoke pooled near the footlights and crept out into the audience. Onstage, barefoot, skimpily dressed girls wearing tall, beaded headdresses writhed suggestively below a replica of a golden altar. A blond beauty draped provocatively in golden silk stood on top of the altar. She danced as if in a trance while the music swelled and the lightning flashed. The beauty sang sweetly, begging the spirit world not to take her as a sacrifice to the golden idol. Along a catwalk, elegant Ziegfeld girls promenaded like ghosts. It was mesmerizing, and Evie sat forward, rapt.

“There’s Theta,” Mabel whispered. From her lap, she gestured discreetly to a chorus girl, second from the right. Even though she was dressed and made up to look like all the other girls, there was something special about Theta, Evie thought. The other dancers’ placid expressions suggested they were thinking about nothing more exciting than washing out their stockings after the show. But Theta made you believe she was a worshipper of Ba’al, lost to the frenzy.

Just as the action reached a fever pitch and the priest was about to plunge the knife into the heart of the sacrificial blond, the hero rushed the altar, fighting off the worshippers. He knocked the priest back, smashed the idol, and carried the bewitched girl down the lighted steps to safety. A bevy of chorus girls glissaded across the stage with huge feather fans, and suddenly the scene transformed into a wedding. The dancing girls tossed red rose petals as the now husband and wife, clad in virtuous white, sang to each other a pledge of eternal love before the curtains snapped shut on the whole affair and the show was ended.




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