"It is probable," stammered out Villefort, trying to smile; "but I can assure you that I had nothing to do with any such proceeding. This house is part of Valentine's marriage-portion, and M. de Saint-Meran wished to sell it; for if it had remained another year or two uninhabited it would have fallen to ruin." It was Morrel's turn to become pale.
"There was, above all, one room," continued Monte Cristo, "very plain in appearance, hung with red damask, which, I know not why, appeared to me quite dramatic."
"Why so?" said Danglars; "why dramatic?"
"Can we account for instinct?" said Monte Cristo. "Are there not some places where we seem to breathe sadness?--why, we cannot tell. It is a chain of recollections--an idea which carries you back to other times, to other places--which, very likely, have no connection with the present time and place. And there is something in this room which reminds me forcibly of the chamber of the Marquise de Ganges [*] or Desdemona. Stay, since we have finished dinner, I will show it to you, and then we will take coffee in the garden. After dinner, the play." Monte Cristo looked inquiringly at his guests. Madame de Villefort rose, Monte Cristo did the same, and the rest followed their example. Villefort and Madame Danglars remained for a moment, as if rooted to their seats; they questioned each other with vague and stupid glances. "Did you hear?" said Madame Danglars.
* Elisabeth de Rossan, Marquise de Ganges, was one of the famous women of the court of Louis XIV. where she was known as "La Belle Provencale." She was the widow of the Marquise de Castellane when she married de Ganges, and having the misfortune to excite the enmity of her new brothers-in-law, was forced by them to take poison; and they finished her off with pistol and dagger.--Ed.
"We must go," replied Villefort, offering his arm. The others, attracted by curiosity, were already scattered in different parts of the house; for they thought the visit would not be limited to the one room, and that, at the same time, they would obtain a view of the rest of the building, of which Monte Cristo had created a palace. Each one went out by the open doors. Monte Cristo waited for the two who remained; then, when they had passed, he brought up the rear, and on his face was a smile, which, if they could have understood it, would have alarmed them much more than a visit to the room they were about to enter. They began by walking through the apartments, many of which were fitted up in the Eastern style, with cushions and divans instead of beds, and pipes instead of furniture. The drawing-rooms were decorated with the rarest pictures by the old masters, the boudoirs hung with draperies from China, of fanciful colors, fantastic design, and wonderful texture. At length they arrived at the famous room. There was nothing particular about it, excepting that, although daylight had disappeared, it was not lighted, and everything in it was old-fashioned, while the rest of the rooms had been redecorated. These two causes were enough to give it a gloomy aspect. "Oh." cried Madame de Villefort, "it is really frightful." Madame Danglars tried to utter a few words, but was not heard. Many observations were made, the import of which was a unanimous opinion that there was something sinister about the room. "Is it not so?" asked Monte Cristo. "Look at that large clumsy bed, hung with such gloomy, blood-colored drapery! And those two crayon portraits, that have faded from the dampness; do they not seem to say, with their pale lips and staring eyes, 'We have seen'?" Villefort became livid; Madame Danglars fell into a long seat placed near the chimney. "Oh," said Madame de Villefort, smiling, "are you courageous enough to sit down upon the very seat perhaps upon which the crime was committed?" Madame Danglars rose suddenly.