Arrived in his bedroom, the count motioned to Ali to stop; then he passed into the dressing-room, which he examined. Everything appeared as usual--the precious secretary in its place, and the key in the secretary. He double locked it, took the key, returned to the bedroom door, removed the double staple of the bolt, and went in. Meanwhile Ali had procured the arms the count required--namely, a short carbine and a pair of double-barrelled pistols, with which as sure an aim might be taken as with a single-barrelled one. Thus armed, the count held the lives of five men in his hands. It was about half-past nine. The count and Ali ate in haste a crust of bread and drank a glass of Spanish wine; then Monte Cristo slipped aside one of the movable panels, which enabled him to see into the adjoining room. He had within his reach his pistols and carbine, and Ali, standing near him, held one of the small Arabian hatchets, whose form has not varied since the Crusades. Through one of the windows of the bedroom, on a line with that in the dressing-room, the count could see into the street.

Two hours passed thus. It was intensely dark; still Ali, thanks to his wild nature, and the count, thanks doubtless to his long confinement, could distinguish in the darkness the slightest movement of the trees. The little light in the lodge had long been extinct. It might be expected that the attack, if indeed an attack was projected, would be made from the staircase of the ground floor, and not from a window; in Monte Cristo's opinion, the villains sought his life, not his money. It would be his bedroom they would attack, and they must reach it by the back staircase, or by the window in the dressing-room. The clock of the Invalides struck a quarter to twelve; the west wind bore on its moistened gusts the doleful vibration of the three strokes.

As the last stroke died away, the count thought he heard a slight noise in the dressing-room; this first sound, or rather this first grinding, was followed by a second, then a third; at the fourth, the count knew what to expect. A firm and well-practised hand was engaged in cutting the four sides of a pane of glass with a diamond. The count felt his heart beat more rapidly. Inured as men may be to danger, forewarned as they may be of peril, they understand, by the fluttering of the heart and the shuddering of the frame, the enormous difference between a dream and a reality, between the project and the execution. However, Monte Cristo only made a sign to apprise Ali, who, understanding that danger was approaching from the other side, drew nearer to his master. Monte Cristo was eager to ascertain the strength and number of his enemies.




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