Prince Bayan climbed the stairs and ducked into the wagon. Sapientia tried to follow him, but the young Kerayit woman set an arm across the threshold. For an instant, Sapientia began to protest, but the other woman simply stared her down, not threatening, just flatly negating, and at last Sapientia made a show of deciding to step back to the pavilion to wait. The Kerayit princess watched her go under heavy-lidded eyes, like a modest woman watching her beloved.
Ai, Lady. There was something about her … something familiar in the way Liath had always seemed familiar to Hanna, some kind of inchoate power she could not name but which Liath had held like a captive eagle inside her, waiting only to be freed—
Breschius hissed as the Kerayit woman swept her gaze over the assembly. He began to tremble. Hanna could feel his apprehension, he who had stood straight at the battle without a trace of fear. Every soul there, even to the drunkest, rowdiest young soldier, quieted in deference to her measuring eye; she possessed the imperious indifference of the sun, which never questions its own brilliance because it simply is.
In the silence, Hanna thought for an instant that she could hear the murmuring of Bayan’s voice and, in reply, the cricket-like whisper of another person. Then she met the gaze of the young princess, and the woman’s beautiful almond eyes widened in surprise as she stared at Hanna. Fair hair, pale eyes; Hanna knew how different she looked out here on the frontier. Few of the Wendish soldiers were as startlingly light as she was and, anyway, they were even more dust-covered from battle.
Prince Bayan shook the beaded curtain aside and clumped down the stairs, laughing. “Now! To the bed!” he cried, and everyone cheered, and when next Hanna could look past the people who suddenly swirled around her, the young Kerayit woman had vanished. The steps into the wagon had been drawn up.
“Eagle! Hanna!”
She had to go. She attended Sapientia to her bed, waited with the others until the covers were drawn back. As Eagle, she had to witness that husband and wife were put properly to bed together. Then, with the others, she discreetly withdrew.
She had a blanket, and it seemed more prudent to her not to step away from the awning that night. It was hard to sleep because it was so noisy, laughter and grunting and pleased exclamations from the tent within, singing, drumming, shouting, and, once, a scream of terror from the camp without. Breschius also had a blanket, and he snored amiably beside her, all rolled up and comfortable on the old carpet laid out beneath the awning. A few other servants slept peaceably as well over to one side.
She was cold and restless. She was waiting, but she didn’t know for what. At last, she dozed off.
And she had the strangest dream.
All the clouds have blown eastward to harass the Quman, to bleed away the trail left by their young brothers who rode out to find the enemy but never returned. The stars stand so brilliantly in the heavens that they shine each one like a blazing spark of light, the souls of fiery daimones who exist far beyond the homely world of humankind. Stars have never shone as brightly as these, as if they have somehow bowed the great dome of the heavens inward by the force of their will, because they are seeking something lost to them, fallen far far below onto the hard cold earth.
At night, the wagon of the Kerayit shaman blazes with reflected light from the stars, and only now does the magic shimmer in its walls: marks and sigils, spirals and cones, an elaborate tree whose roots reach far below the earth and whose branches seem to grow out of the roof itself and reach toward the sky. A glimmering pole more light than substance thrusts heavenward from the smoke hole at the center of the wagon: seven notches have been carved into its branchless trunk, and the top of the pole seems to meld with the North Star around which the heavens revolve.
Beads clack and rustle as the steps unroll from the wagon’s bed. The young princess steps out, and she beckons to Hanna. Come to me.
Hanna sheds her blanket and goes. The lintel of the tiny door brushes her head as she ducks inside. But inside is not as outside. The wagon is tiny, and yet inside she seems to be in a pavilion fully as large as that in which Bayan and Sapientia now sleep. The walls ripple as if stroked by wind; there are two elaborate box beds, a low table, and beautifully embroidered pillows on which to sit. A green-and-gold bird stirs in its cage, eyeing her. She sits on a pillow, and one of the ancient handmaidens brings her a cup of hot liquid whose spicy scent stings her nostrils.
“Drink,” speaks a cricket voice, and then Hanna sees Bayan’s mother sitting veiled in the shadows, the suggestion of a face visible behind translucent silk. A tapestry hangs on the tent wall at her back: the image of a woman standing on earth and reaching toward the heavens where hangs a palace that magically glides in the aether: from the woman’s navel stretches a cord which attaches to a tree in the courtyard of the floating palace: an eagle flies between, and two coiled dragons observe through slitted eyes. “What comes from earth, returns to earth,” says the old woman as Hanna obediently drinks. “What have you brought me, sister’s daughter? She is not my kin.”
