But Lucan had his orders.
The moment the fox raced toward the tree in which he was hiding, he loosed his grip upon the branch. As she leaped for the lower branches, he spread his wings and sprang upward, bursting up through rustling leaves of the oak and taking to the sky.
There were shouts from below, threats hurled skyward, but the Jaculus did not slow down. If the trickster shifted into bird-shape and followed, Lucan could kill him easily. And the winter man was weakened now, and too slow. In moments, the winged serpent was over the top of the mountain and soaring toward the southern horizon.
The Strigae were excellent spies, but Ty’Lis and Hinque had asked Lucan to come himself to be sure that there were no mistakes, that someone was there to report the outcome of the Myth Hunters’ attack. Now they and the others would be waiting for word. The Bascombe was supposed to be dead many days ago, and the Borderkind who had allied themselves with him as well. These were simple measures, precautions to be taken before the rest of the plan could be put into action.
But it was too late now. The whispers had begun, the violence would follow shortly, and then there would be war. And in the midst of that, the Bascombes and the Borderkind would be little more than an afterthought.
Yet Lucan knew that, to Ty’Lis, nothing would be as important as the death of these most dangerous enemies. The rest of the Borderkind had to be exterminated, no matter how many Hunters had to die with them. And Oliver Bascombe along with the filthy myths he had befriended.
The Veil itself depended upon their deaths.
And an empire would be forged upon their graves.
CHAPTER 2
In the darkness, surrounded by the whisper of the shifting sands, Collette could see nothing except the glowing sphere of white light that waxed and waned and danced in her cell in the Sandman’s castle. Sometimes it disappeared entirely, but it always came back. From time to time it would speak to her in hushed tones about her impending demise. The Vittora was a death spirit, forged of all the luck she had accumulated during her life, now preparing to abandon her because it sensed she would soon die.
It had become her only friend.
Collette needed a friend now, in the madness of this impossible world, for she lived in terror, and her dreams were screaming nightmares.
Most of the time she sat with her back against the rounded wall of the chamber of sand, wiping grit from her eyes and spitting it from her mouth. Her scalp itched like mad, but no matter how she tried she could not get all the sand from her hair. Her captor brought her barely enough water to drink, and trying to use it for personal hygiene would have been idiotic. But still, the itch was maddening. Her body had begun to itch as well and the stale smell that came from her every pore made her nostrils flare in revulsion. Collette often took more than one shower in a day. She hated being unclean.
But it was amazing to her how easily she could get used to certain things if it meant staying alive.
Pissing in the corner of the chamber, for instance. At first she had held on so long that the need had brought her to tears. Then, when she could not hold off any longer, she took off her pajama pants—for she was still in her pajamas from the night of her abduction—and simply went where she stood.
She camped elsewhere in the chamber from then on, and that spot had become the spot. For a couple of days she had tried to eat as little as possible of the fruit and cheese and bread the Sandman brought to her, knowing that it would eventually mean defecating in the same spot. But again, need overcame dignity. What unsettled her even more was that after she had relieved herself, the sand always shifted and the offending waste disappeared, disposed of somehow.
In a part of her mind that had begun to fray, she had begun to think of the spot as “the litter box.”
When she slept, curled into fetal position, the sand felt as though it crept across her bare flesh. At night, the sand was still warm, retaining some of the heat of the day. When the sun was up, however, the heat was terrible. The round chamber was wide and airy, with no doors but a dozen tall, arched windows set at intervals all around her. There was no glass, the opening to the outside world tantalizing to her, but they were twenty-five feet from the soft sand beneath her, and the walls were hard-packed sand like granite. Even in her few hopeful moments, she never imagined being able to climb up there to escape.
The days seemed to last an eternity, and the nights even longer, so that she knew her impression of how long she had been imprisoned could not possibly be accurate. Her body, though, told her the only thing that mattered…it had been too long. The muscles in her neck and back and shoulders were knotted from sleeping on the sand and the rest of her was stiff just from sitting against the wall.
Now, every few hours, she spent twenty minutes walking the perimeter of her prison, during the day moving from one shadow to another. At midday she always rested. There was no hiding from the sun when it was directly above and it was best not to exert herself then.
After dark, the walking continued.
The sand shifted beneath her feet as she marched on, sometimes stumbling as it gave way. Her arches were bands of pain, but she ignored them. The light of the Vittora accompanied her, hovering up near the windows now as though watching her, and it spurred her on. The walking kept her from withering, from just curling up and waiting to die. She would not surrender that easily. It was both a tiny bit of madness and the thing that staved off the deeper madness that awaited.
Step after step, she followed the circular wall, somehow always aware of the spot she had made her litter box. No matter that the sand drew the shit and piss down into itself, leaving no trace; she still circumvented that spot on her walks.
When she had first awoken to find herself captive, she had found comfort in her memories of her favorite films. Movies were a vital part of her life, so often she lost herself in them, and time and again now, her mind went back to those worlds, to Casablanca and Notting Hill, to L.A. Confidential and Rear Window, to The Philadelphia Story and The Godfather. But the Vittora was inside her mind and heart. It could see her thoughts and sometimes taunted her for her fantasizing about those films.
Love and tragedy: those were the things she appreciated most in the movies. Some of them had monsters, but all of the monsters were human. She’d never had an interest in the other sort…could not invest any real fear in them, because she did not believe.
But Collette believed in monsters now.
One of them had murdered her father and torn his eyes out, and kept her captive even now. From time to time she would look up and see the Sandman looking down at her from one of the windows with those filthy lemon-yellow eyes, face all sharp angles and fingers like daggers. Sometimes his fingers were covered with blood. He had spoken to her shortly after he had first captured her, but never since.
Now only the Vittora spoke.
“Put one foot in front of the other,” it said in a singsong voice that scraped off of the sound all around the chamber, “and soon you’ll be walking out the door.”
Collette shuddered, eyes moistening. It had plucked the song from her mind, some snippet from one of the Christmas specials she’d loved to watch on television as a little girl. The edge in its voice might have been irony or comfort or mockery, or some combination of all three. Clearly, the Vittora did not think she would be walking out the door, or it would not have appeared. It was the harbinger of her death, and though most of what it said was a nonsense echo of her own thoughts, there was a morbid amusement in its tone that made her want to scream.