FORTY-SIX
LISBON
3:30 PM
MALONE STARED AT THE MONASTERY OF SANTA MARIA DE Belem. He, Pam, and Jimmy McCollum had flown from London to Lisbon then taken a cab from the airport to the waterfront.
Lisbon sat perched on a broad switchback of hills that overlooked the sea-like Tejo estuary, a place of wide symmetrical boulevards and handsome tree-filled squares. One of the world's grandest suspension bridges spanned the mighty river and led to a towering statue of Christ, arms outstretched, which embraced the city from the eastern shore. Malone had visited many times and was always reminded of San Francisco, both in physical makeup and in the city's propensity for earthquakes. Several had left their mark.
All countries possessed splendid things. Egypt, the pyramids. Italy, St. Peter's. England, Westminster. France, Versailles. Listening to the cabdriver on the ride from the airport, he knew that, for Portugal, national pride came from the abbey that sprawled out before him. Its white limestone façade stretched longer than a football field, aged like old ivory, and combined Moorish, Byzantine, and French Gothic in an exuberance of decorations that seemed to breathe life into the towering walls.
People crowded everywhere. A camera-toting parade streamed in and out from the entrances. Across a busy boulevard and train tracks that fronted the impressive south façade, tourist buses waited in an angled line, like ships moored in a harbor. A sign informed visitors of how the abbey was first erected in 1500 to satisfy a promise made by King Manuel I to the Virgin Mary and was built on the site of an old mariners' hospice first constructed by Prince Henry the Navigator. Columbus, da Gama, and Magellan had all prayed here before their journeys. Through the centuries the massive structure had served as a religious house, a retirement home, and an orphanage. Now it was a World Heritage Site, restored to much of its former glory.
"The church and abbey are dedicated to St. Jerome," he heard one of the tour guides say to a crowd in Italian. "Symbolic in that both Jerome and this monastery represented new points of departure for Christianity. Ships left here to discover the New World and bring them Christ. Jerome translated the ancient Bible into Latin, so more could discover its wonder." He could tell that McCollum understood the woman, too.
"Italian one of your languages?" he asked.
"I know enough."
"A man of many talents."
"Whatever's necessary."
He caught the surly attitude. "So what's next in this quest?"
McCollum produced another slip of paper upon which was written some of the first excerpt and more of the cryptic phrases.
It is a mystery, but visit the chapel beside the Tejo, in Bethlehem, dedicated to our patron saint. Begin the journey in the shadows and complete it in the light, where a retreating star finds a rose, pierces a wooden cross, and converts silver to gold. Find the place that forms an address with no place, where is found an other place. Then, like the shepherds of the painter Poussin, puzzled by the enigma, you will be flooded with the light of inspiration.
He handed the sheet to Pam and said, "Okay. Let's take a visit and see what's there."
They followed a thick swarm of tourists to the entrance. A sign indicated that admission to the church was free, but a ticket was required for the rest of the buildings.
Inside the church, in what was identified as the lower choir, the groined ceiling loomed low and produced an imposing gloom. To his left stood the cenotaph of Vasco da Gama. Simple and solemn, it abounded with nautical symbols. Another tomb, of the poet Luis de Camões, rested to his right along with a baptismal font. Bare walls in both niches added to both the austerity and the grandeur. People crowded the alcoves. Cameras flashed. Tour guides droned on about the significance of the dead.
Malone strolled into the nave and the initial dimness of the lower choir gave way to a bright wonder. Six slender columns, each a profusion of ornamentation twined with carved flowers, stretched skyward. The late-afternoon sun poured through a series of stained-glass windows. Rays and shadows chased one another across the limestone walls, gray with age. The vaulted roof resembled a sheaf of ribs, the columns like canopy supports, the mesh holding in place like a ship's rigging. Malone felt the presence of Saracens who once ruled Lisbon, and noticed Byzantine fancies. A thousand details multiplied around him without repetition.
Remarkable.
Even more remarkable, he thought, given that ancient masons possessed the nerve to build something so massive upon Lisbon's quivering ground.
Wooden pews that once accommodated monks now held only the inquisitive. A low murmur of voices echoed across the nave, periodically overshadowed by a calm voice through a public address system that requested silence in a variety of languages. Malone located the source of the admonition. A priest before a microphone, at the people's altar, in the center of the cross-shaped interior. Nobody seemed to pay the warning any heed-especially not the tour guides, who continued on with their paid discourses.
"This place is magnificent," Pam said.
He agreed. "The sign out front said it closes at five. We need tickets to the rest."
"I'll go get them," McCollum said. "But doesn't the clue lead us only here, to the church?"
"I have no idea. To be sure, let's have a look at whatever else there is."
McCollum made his way back through the clot of people to the portico.
"What do you think?" Pam asked, still holding the sheet of paper.
"About him or the quest?"
"Both are a problem."
He smiled. She was right. But as for the quest, "Some of it now makes sense. Begin the journey in the shadows and complete it in the light. The entrance does that nicely. Like a basement back there, then it opens into a bright attic."
The priest again quietly admonished the crowd to stay silent and everyone again ignored him.
"He has a tough job," Pam said.
"Like the kid taking names when the teacher leaves the room."
"Okay, Mr. Genius," she said. "What about where a retreating star finds a rose, pierces a wooden cross, and converts silver to gold. Find the place that forms an address with no place, where is found another place."
He was already thinking about that and his attention was drawn forward, to the chancel, where a rectangular floor plan led to a concave wall backdropping the high altar, all topped with a combination of hemispherical dome, barrel vault, and stone-coffered ceiling. Ionic and Corinthian pillars rose symmetrically on three sides of the chancel, framing vaulted stone chambers that displayed elaborate royal tombs. Five paintings wrapped the concave wall, everything drawing the eye to the majestic baroque sacrarium that stood in the center, elevated, above the high altar.
He wove his way around loitering tourists to the far side of the people's altar. Velvet ropes blocked any entrance to the chancel. A placard informed him that the sacrarium, made entirely of silver, had been crafted by goldsmith João de Sousa between 1674 and 1678. Even from fifty feet away the ornate repository, full of detail, appeared magnificent.
He turned and stared back through the nave, past the pillars and pews, to the lower choir, where they'd entered.
Then he saw it. In the upper choir, past a thick stone balustrade, fifty feet above the church floor. High in the farthest exterior wall, a huge eye glared down at him. The circular window stretched ten feet or more in diameter. Mullions and traceries radiated from its center. Roof ribs wound a twisting path back toward it and seemed to dissolve into its shadowless radiance, bright as a stage lamp and suffusing the church's interior.
A common adornment to many medieval churches. Named after its fanciful shape.
Rose window.
Facing due west. Late in the day. Blazing like the sun.
But there was more.
At the center of the upper choir's balustrade stood a large cross. He stepped forward and noticed that the cross fit perfectly into the round of the window, the brilliant rays flooding past it into the nave.
Where a retreating star finds a rose, pierces a wooden cross, and converts silver to gold.
Seems they'd found the place.
FORTY-SEVEN
VIENNA
4:30 PM
THORVALDSEN ADMIRED ALFRED HERMANN'S SPECTACLE OF flowers, water, and marble, the enormous garden an obvious labor of several generations. Shady walks wound out from the chateau to grassy glades, the brick paths lined with statues, bas-reliefs, and fountains. Every so often French influences yielded to a clear taste for Italy.
"Who are the people who own this place?" Gary asked.
"The Hermanns are a family of long standing in Austria, just as my family is in Denmark. Quite wealthy and powerful."
"Is he your friend?"
An interesting question, considering his suspicions. "Up until a few days ago, I believed that to be the case. But now I'm not so sure."
He was pleased with the boy's inquisitiveness. He knew about Gary's parentage. When he'd returned from taking Gary back home after their summer visit, Malone had told him what Pam had revealed. Thorvaldsen had feigned ignorance when he'd first seen her a few nights ago, though he'd instantly known her identity. Her presence in his house, with Malone, signaled trouble, which was why he'd stationed Jesper outside the study door. Pam Malone was high-strung. Luckily she'd calmed down. She should have been back in Georgia by now. Instead, the caller from Tel Aviv had said, Seems Malone and his ex-wife are presently on their way to Lisbon.
What was happening? Why go there? And where was the Talons of the Eagle?
"We've come here," he said to Gary, "to help your father."
"Dad never said anything about us leaving. He told me to stay put and be careful."
"But he also said for you to do as I say."
"So when he yells at me, I expect you to take the blame."
He grinned. "With pleasure."
"You ever seen a person shot?"
He knew Tuesday's memory had to be troubling, no matter how brave the lad wanted to be. "Several times."
"Dad shot the man dead. But you know what? I didn't care."
He shook his head at the bravado. "Careful, Gary. Don't ever become accustomed to killing. No matter how much someone may deserve it."
"I didn't mean it that way. It's only, he was a bad man. He threatened to kill Mom."
They passed a marble column surmounted by a statue of Diana. A breeze caressed the trees and trembled shadows cast out on the undulating turf. "Your father did what he had to do. He didn't like it. He just did it."
"And I would have, too."
Genetics be damned. Gary was Malone's son. And though the boy was but fifteen, his indignation could certainly be aroused-just like his father's-especially if a loved one was threatened. Gary knew his parents had traveled to London, but he didn't know his mother was still involved. He deserved the truth.
"Your mother and father are on their way to Lisbon."
"That's what the call in the room was about?"
He nodded and smiled at the decisive manner in which the boy handled news.
"Why is Mom still with him? She didn't say a word about staying when she called last night. They don't get along."
"I have no idea. We'll have to wait until one of them calls again." But he desperately wanted to know the answer to that question, too.
Ahead, he spotted their destination. A circular pavilion of colored marble topped by gilded iron. Its open balustrade overlooked a crystalline lake, the silvery surface quiet in the shade.
They entered and he approached a railing.
Massive vases packed with aromatic flowers dotted the interior. As always, Hermann had made sure the estate was a showpiece.
"Somebody's coming," Gary said.
He did not look back. He didn't have to. He saw her in his mind. Short, dumpy, exhaling loudly as she walked. He kept his gaze toward the lake and enjoyed the sweet smell of grass, flowers, and experience.
"Is she coming fast?"
"How did you know it's a woman?"
"You'll learn, Gary, that you cannot win a fight if your enemy is not, in some ways, predictable."
"It's Mr. Hermann's daughter."
He continued to admire the lake, watching a family of ducks paddle toward shore. "Say nothing to her about anything. Listen, but speak little. That's how you discover what you need to know."
He heard soles slapping the pavilion's stone flooring and turned as Margarete marched close.
"They told me in the house that you'd come here," she said. "And I remembered this was one of your favorite places."
He smiled at her evident satisfaction. "It has privacy. So far from the chateau. The trees provide tranquility. I do like this spot. A favorite of your mother's, if I recall."
"Father built it specially for her. She spent her last day alive here."
"You miss her?"
"She died when I was young. So we were never close. But Father misses her."
"You don't miss your mother?" Gary asked.
Though the boy had violated what he'd been cautioned, Thorvaldsen didn't mind the inquiry. He was actually curious, too.
"Of course I miss her. It's simply that we were not close-as mother and daughter."
"You seem to have acquired an interest in the family businesses and the Order."
He watched as thoughts dialed into her mind. She'd inherited more of her father's rugged Austrian looks than her mother's Prussian beauty. Not a particularly attractive woman-dark-haired, brown eyes, with a thin, high nose. But who was he to judge, considering his crooked spine, bushy hair, and weathered skin? He wondered about suitors, but decided this woman would never give herself to anyone. She was a taker.
"I'm the only Hermann left." And she added a smile that was surely intended to be comforting, but instead flashed with annoyance.
"Does that mean you will inherit all this?"
"Of course. Why wouldn't I?"
He shrugged. "I have no idea what your father thinks. I have found, though, that there are no guarantees in this world."
He saw that she did not like his implications. He gave her no time to react and asked, "Why did your father try to harm this boy?"
His sudden inquiry inspired a baffled look. She clearly wasn't a master of the stoic, either-not like her father.
"I have no idea what you're talking about."
He wondered. Maybe Hermann had kept his plans from her.
"Then you have no idea what die Klauen der Adler is doing?"
"He's not my responsib-" She caught herself.
"Not to worry, my dear. I know of him. I only wondered if you did."
"That man is a problem."
Now he knew she was not a part of anything. Too much information flowed far too freely. "I wholeheartedly agree. But as you say, neither of us has any responsibility for him. Only the Circle."
"I was unaware the members knew of him."
"There are many things I'm aware of. In particular, what your father is doing. That, too, is a problem."
She seemed to catch the conviction in his tone. Her chubby face flashed a nervous smile. "Remember where you are, Henrik. This is Hermann land. We command what happens here. So you shouldn't concern yourself."
"That's an interesting observation. One I'll try not to forget."
"I think, perhaps, you and Father need to finish this conversation."
She turned to leave, and as she did he raised an arm in a quick gesture.
From thick cypresses, heavy with age, three men materialized, dressed in camouflage fatigues. They trotted forward and arrived just as Margarete stepped from the pavilion.
Two of the men grabbed her.
One clamped a hand over her mouth.
She resisted.
"Henrik," Gary said. "What's Jesper doing here?"
The third man was his chamberlain, who'd flown in earlier and infiltrated the estate. From other visits, Thorvaldsen knew-contrary to Margarete's boast-that the heaviest security was confined to the house. The remaining hundreds of acres were neither fenced nor patrolled.
"Stand still," he said to her.
She stopped struggling.
"You're going with these gentlemen."