On the evening of the same day the usual guests were assembled at the Zasyekins'. I was among them.

The conversation turned on Meidanov's poem. Zinaïda expressed genuine admiration of it. 'But do you know what?' she said to him. 'If I were a poet, I would choose quite different subjects. Perhaps it's all nonsense, but strange ideas sometimes come into my head, especially when I'm not asleep in the early morning, when the sky begins to turn rosy and grey both at once. I would, for instance ... You won't laugh at me?'

'No, no!' we all cried, with one voice.

'I would describe,' she went on, folding her arms across her bosom and looking away, 'a whole company of young girls at night in a great boat, on a silent river. The moon is shining, and they are all in white, and wearing garlands of white flowers, and singing, you know, something in the nature of a hymn.'

'I see--I see; go on,' Meidanov commented with dreamy significance.

'All of a sudden, loud clamour, laughter, torches, tambourines on the bank.... It's a troop of Bacchantes dancing with songs and cries. It's your business to make a picture of it, Mr. Poet;... only I should like the torches to be red and to smoke a great deal, and the Bacchantes' eyes to gleam under their wreaths, and the wreaths to be dusky. Don't forget the tiger-skins, too, and goblets and gold--lots of gold....'

'Where ought the gold to be?' asked Meidanov, tossing back his sleek hair and distending his nostrils.

'Where? on their shoulders and arms and legs--everywhere. They say in ancient times women wore gold rings on their ankles. The Bacchantes call the girls in the boat to them. The girls have ceased singing their hymn--they cannot go on with it, but they do not stir, the river carries them to the bank. And suddenly one of them slowly rises.... This you must describe nicely: how she slowly gets up in the moonlight, and how her companions are afraid.... She steps over the edge of the boat, the Bacchantes surround her, whirl her away into night and darkness.... Here put in smoke in clouds and everything in confusion. There is nothing but the sound of their shrill cry, and her wreath left lying on the bank.'

Zinaïda ceased. ('Oh! she is in love!' I thought again.) 'And is that all?' asked Meidanov.

'That's all.'

'That can't be the subject of a whole poem,' he observed pompously, 'but I will make use of your idea for a lyrical fragment.'




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