It was when the Gelreesh related his own life story to the court, eliciting pity from a people who previously desired his, that he allowed himself to appear as the hominid-canine entity that had always lurked behind his illusion. As the tears filled the eyes of the jury, his handsome visage wavered like a desert mirage and then lifted away to reveal fur and fangs. No longer were his words the mellifluous susurrations of the sympathetic therapist, but now came through as growling dog talk in a spray of spittle. Even the huge owl that sat on his shoulder in the witness stand shrank and darkened to become a grackle.

As he told it, he had been born to an aristocratic family, the name of which everyone present would have known, but he would not mention it for fear of bringing reprisals down upon them for his actions. Because of his frightening aspect at birth, his father accused his mother of bestiality. The venerable patriarch made plans to do away with his wife, but she saved him the trouble by poisoning herself with small sips of opium and an arsenic pastry of her own recipe. The strange child was named Rameau after a distant relation on the mother’s side and sent to live in a newly constructed barn on the outskirts of the family estate. At the same time that the father ordered the local clergy to try to exorcise the beast out of him, there was a standing order for the caretaker to feed him nothing but raw meat. As the Gelreesh had said on the witness stand, “My father spent little time thinking about me, but when he did, the fact of my existence twisted his thinking so that it labored pointlessly at cross-purposes.”

The family priest taught the young Rameau how to speak and read, so that the strange child could learn the Bible. Through this knowledge of language he was soon able to understand the holy man’s philosophy, which, in brief, was that the world was a ball of shit adrift in a sea of sin and the sooner one passed to heaven the better. As the Gelreesh confessed, he took these lessons to heart, and so later in life when he helped free his patients’ souls from excremental bondage, he felt he was actually doing them a great favor. It was from that bald and jowly man of God that the creature became acquainted with the power of pity.

On the other hand, the caretaker who daily brought the beef was a man of the world. He was very old and had traveled far and wide. This kindly aged vagabond would tell the young Rameau stories of far off places—islands at the equator and tundra crowded with migrating elk. One day, he told the boy about a fellow he had met in a far-off kingdom that sat along the old Silk Road to China. This remarkable fellow, Ibn Sadi was his name, had the power of persuasion. With subtle movements of his body, certain tricks of respiration in accordance with that of his audience, he could make himself invisible or appear as a beautiful woman. It was an illusion, of course, but to the viewer it seemed as real as the day. “What was his secret?” asked Rameau. The old man leaned in close to the boy’s cage and whispered, “Listen to the rhythm of life and when you look, do not accept but project. Feel what the other is feeling and make what they have felt what you feel. Speak only their own desire to them in a calm, soft voice, and they will see you as beautiful as they wish themselves to be.”

The Gelreesh had time, days on end, to mull over his formula for control. He worked at it and tried different variations until one day he was able to look into the soul of the priest and discover what it was—a mouse nibbling a wedge of wooden cheese. Soon after, he devised the technique of clicking together his fingernails in order to send out a hypnotic pulse, and with this welded the power of pity to the devices of the adept from the kingdom along the old Silk Road. Imagine the innate intelligence of this boy they considered a beast. A week following, he had escaped. For some reason, the priest had opened the cage and for his trouble was found by the caretaker to have been ushered into the next and better world minus the baggage of his flesh.

The jury heard the story of the Gelreesh’s wanderings and the perfection of his art, how he changed his name to that of a certain brand of Mediterranean cigarettes he had enjoyed. “I wanted to help the emotionally wounded,” he had said to his accusers, and all grew sympathetic, but when they vented their grief for his solitary life and saw his true form, they unanimously voted for his execution. Just prior to accepting, against his will, the thirty bullets from the rifles of the firing squad marksmen, the Gelreesh performed a spectacular display of metamorphosis, becoming, in turn, each of his executioners. Before the captain of the guard could shout the order for the deadly volley, the beautiful one became, again, himself, shouted, “I feel your pain,” and begged for all in attendance to participate in devouring him completely once he was dead. This final plea went unheeded. His corpse was left to the dogs and carrion birds. His bones were later gathered and sent to the Museum of Natural Science in the city of Nethit. The grackle was released into the wild.

Once he had been disposed of and the truth had been circulated, it seemed that everyone on all continents wanted to claim some attachment to the Gelreesh. For a five year period there was no international figure more popular. My God, the stories told about him—women claimed to have had his children, men claimed they were him or his brother or at least the son of the caretaker who gave him his first clues to the protocol of persuasion. Children played Gelreesh, and the lucky tike who got to be his namesake retained for the day ultimate power in the game. An entire branch of psychotherapy had sprung up called Non-Consumptive Gelreeshia, meaning that the therapists swamped their patients with pity but had designs not on the consumption of their flesh, merely their bank accounts. There were studies written about him, novels and plays and an epic poem entitled Monster of Pity. The phenomenon of his popularity had given rise to a philosophical reevaluation of Beauty.

Gelreesh mania died out in the year of the great comet, for here was something even more spectacular for people to turn their attention to. With the promise of the end of the world, mankind had learned to pity itself. Fortunately or unfortunately, however one might see it, this spinning ball of shit, this paradisiacal Valshavar of planets, was spared for another millennium in which more startling forms of anomalous humanity might spring up and lend perspective to the mundane herd.

And now, ages hence, recent news from Nethit concerning the Gelreesh. Two years ago, an enterprising graduate student from Nethit University, having been told the legends of the beautiful one when he was a child, went in search through the basement of the museum to try to uncover the box containing the creature’s remains. The catacombs that lay beneath the imposing structure are vast and the records kept as to what had been stored where have been eaten by an unusual mite that was believed to have been introduced into the environs of the museum by a mummy brought back from a glacier at the top of the world. Apparently, this termitic flea species awoke in the underground warmth and discovered its taste for paper, so that now the ledgers are filled with sheets of lace, more hole than text.

Still, the conscientious young man continued to search for over a year. His desire was to study the physiological form of this legend. Eventually, after months of exhaustive searching, he came upon a crate marked with grease pencil, GELREESH. Upon prying open the box, he found inside a collection of bones wrapped in a tattered garment of maroon silk. There was also a handkerchief bearing the stitched symbol of a broken heart. When he uncovered the bones, he was shocked to find the skeleton of a very large bird instead of that of a mutant human. A professor of his from the university determined upon inspection that these were indeed the remains of a great horned owl.

SKIN IN THE GAME

SAMANTHA HENDERSON

“Hex!” Miranda waved purple fingertips over the white-bone tumble of the dice, which came up one, three, six.

Lydia, her run of fours broken, cursed her eloquently. Miranda, indifferent to charges of being a loose woman, scooped up the dice and promptly buncoed.

“Bitch!” cried Lydia, jubilant. “Give up the Bunco Bear, whore!”

From the head table a child’s toy, seized hastily from Cass’s daughter’s room before the game began, flew through the air in a fuzzy, bright green arc. Miranda caught it, one-handed and laughing, and tucked it into her cleavage.

Sandy applauded with the rest as Miranda threw one more four and then came up twos and fives.

“Time to bunco,” said Lydia as Sandy grabbed the dice for her turn, and she threw. A four, a two, and one die rolled off the table and landed near her foot: a five. She snatched it up: she could claim it was a four, take the five, or re-roll.

“It was a five,” she said—the single four allowed her to continue and she wanted to seem honest at this point. She’d subbed twice for this bunco group—Cass worked at the cubicle kitty-corner to her, and started asking to come the month before last—and they needed to replace a regular who’d moved out of state. No pack of bunco bitches likes being stuck at eleven members, having a ghost at table—one player rolling for an invisible teammate.

She liked this group: you got dinner instead of just coffee and dessert and the stakes of $20 apiece made it worth her while to get creative. She felt like she had skin in this game. She expected that after tonight’s game she’d be invited to join, and it was always easy to fix up things so the game got cancelled the month it was your turn to host. Volunteer for June, when the task of juggling kids fresh out of school and planning summer vacation usually resulted in a scrub, or change the date late enough that only nine or fewer could come, two ghosts being the limit of anyone’s tolerance. She’d volunteer to help another hostess, bringing the main dish and gaining a reputation for helpfulness while avoiding the expense of the booze.




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