From the small mammals caught in his nightly snares he assembled skins and gut. With the stomachs and intestines of hares he made floats for the weighted nets he strung across streams, and from the grayling and sturgeon harvested he gathered numerous spines which he then used to sew together the hides, fashioning a bag. He collected charcoal and tree sap, lichens, mosses, tubers, feathers and small pouches of animal fat, all of which went into the hide bag.
But all of these things were as nothing when compared with the burgeoning of the man himself. A face Trull had known only as dried skin taut over shattered bone was now animate with expression, and it was as if Trull had been blind to his friend in the time before, when even vocal inflection had been flat and lifeless.
Onrack now smiled. A sudden lighting of genuine pleasure that not only took Trull’s breath away-and, he admitted, often filled his eyes with tears-but could silence Quick Ben as well, the wizard’s dark face suddenly evincing ineffable wonder, an expression that a well-meaning adult might have upon seeing a child at play.
Everything about this Imass invited friendship, as if his smile alone cast some sorcery, a geas of charm, to which unquestioning loyalty was the only possible response. This glamour Trull Sengar had no interest in resisting. Onrack, after all, is the one brother I chose. But the Tiste Edur could see, on occasion, the gleam of suspicion in the Malazan wizard, as if Quick Ben was catching himself at the edge of some inner precipice, some slide into a place Ben could not, by his very nature, wholly trust.
Trull felt no worry; he could see that Onrack was not interested in manipulating his companions. His was a spirit contained within itself, a spirit that had emerged from a haunted place and was haunted no longer. Dead in a demonic nightmare. Reborn into a paradise. Onrack, my friend, you are redeemed, and you know it, with every sense-with your touch, your vision, with the scents of the land and the songs in the trees.
The previous evening he had returned from a trip into the forest with a sheath of bark in his hands. On it were nuggets of crumbly yellow ochre. Later, beside the fire, while Quick Ben cooked the remaining meat from a small deer Onrack had killed in the forest two days previously, the Imass ground the nuggets into powder. Then, using spit and grease, he made a yellow paste. As he worked these preparations, he hummed a song, a droning, vibrating cadence that was as much nasal as vocal. The range, like his speaking voice, was unearthly. It seemed capable of carrying two distinct tones, one high and the other deep. The song ended when the task was done. There was a long pause; then, as Onrack began applying the paint to his face, neck and arms, a different song emerged, this one with a rapid beat, fast as the heart of a fleeing beast.
When the last daub of paint marked his amber skin, the song stopped.
‘Gods below!’ Quick Ben had gasped, one hand on his chest. ‘My heart’s about to pound right through my cage of bones, Onrack!’
The Imass, settling back in his cross-legged position, regarded the wizard with calm, dark eyes. ‘You have been pursued often. In your life.’
A grimace from Quick Ben, then he nodded. ‘Feels like years and years of that.’