Out in the wide spaces, where homes are but scattered oases in the general emptiness, life does not move uniformly, so far as it concerns incidents or acquaintanceships. A man or a ranch may experience complete isolation, and the unbroken monotony which sometimes accompanies it, for a month at a time. Summer work or winter storm may be the barrier temporarily raised, and life resolves itself into a succession of days and nights unbroken by outside influences. They leave their mark upon humans--these periods of isolation. For better, for worse, the man changes slowly with the months; he grows more bovine in his phlegmatic acceptance of his environment, or he becomes restless and fired with a surplus energy of ambition, or he falls to dreaming dreams; whatever angle he takes, he changes, imperceptibly perhaps, but inevitably.

Then the monotony is broken and sometimes with violence. Incident rushes in upon the heels of incident, and life becomes as tumultuous as the many moods of nature when it has a wide, open land for a playground.

That is why, perhaps, so much of western life is painted with broad strokes and raw colors. You are given the crowded action, the unleashing of emotions and temperaments that have smoldered long under the blanket of solitary living. You are shown an effect without being given the cause of that effect. You pronounce the West wild, and you never think of the long winters that bred in silence and brooding solitude those storm-periods which seem so primitively savage; of the days wherein each nature is thrown upon its own resources, with nothing to feed upon but itself and its own personal interests. And so characters change, and one wonders why.

There was Billy Louise, with her hands and her mind full of the problems her father had died still trying to solve. She did not in the least realize that she was attempting anything out of the ordinary when she took a half-developed ranch in the middle of a land almost as wild as it had been when the Indians wandered over it unmolested, a few cattle and horses and a bundle of debts to make her head swim, and set herself the problem of increasing the number of cattle and eliminating the debts, and of wresting prosperity out of a condition of picturesquely haphazard poverty. She went about it with the pathetic confidence of youth and ignorance. She rode up and down the canyons and over the higher, grassier ridges, to watch the cattle on their summer range and keep them from straying. She went with John Pringle after posts and helped him fence certain fertile slopes and hollows for winter grazing. She drove the rickety old mower through the waving grass along the creek bottom and hummed little, contented tunes while she watched the grass sway and fall evenly when the sickle shuttled through. She put on her gymnasium bloomers and drove the hay wagon, and felt only a pleasurable thrill of excitement when John Pringle inadvertently pitched an indignant rattlesnake up to her with a forkful of hay. She killed the snake with her pitchfork and pinched off the rattles, proud of their size and number.




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