He was the son of a proprietor of well-known cotton-mills in Massachusetts--a gentleman who had accumulated a considerable fortune in the exercise of this industry. Caspar at present managed the works, and with a judgement and a temper which, in spite of keen competition and languid years, had kept their prosperity from dwindling. He had received the better part of his education at Harvard College, where, however, he had gained renown rather as a gymnast and an oarsman than as a gleaner of more dispersed knowledge. Later on he had learned that the finer intelligence too could vault and pull and strain--might even, breaking the record, treat itself to rare exploits.

He had thus discovered in himself a sharp eye for the mystery of mechanics, and had invented an improvement in the cotton-spinning process which was now largely used and was known by his name. You might have seen it in the newspapers in connection with this fruitful contrivance; assurance of which he had given to Isabel by showing her in the columns of the New York Interviewer an exhaustive article on the Goodwood patent--an article not prepared by Miss Stackpole, friendly as she had proved herself to his more sentimental interests. There were intricate, bristling things he rejoiced in; he liked to organise, to contend, to administer; he could make people work his will, believe in him, march before him and justify him. This was the art, as they said, of managing men--which rested, in him, further, on a bold though brooding ambition. It struck those who knew him well that he might do greater things than carry on a cotton-factory; there was nothing cottony about Caspar Goodwood, and his friends took for granted that he would somehow and somewhere write himself in bigger letters. But it was as if something large and confused, something dark and ugly, would have to call upon him: he was not after all in harmony with mere smug peace and greed and gain, an order of things of which the vital breath was ubiquitous advertisement. It pleased Isabel to believe that he might have ridden, on a plunging steed, the whirlwind of a great war--a war like the Civil strife that had overdarkened her conscious childhood and his ripening youth.

She liked at any rate this idea of his being by character and in fact a mover of men--liked it much better than some other points in his nature and aspect. She cared nothing for his cotton-mill--the Goodwood patent left her imagination absolutely cold. She wished him no ounce less of his manhood, but she sometimes thought he would be rather nicer if he looked, for instance, a little differently. His jaw was too square and set and his figure too straight and stiff: these things suggested a want of easy consonance with the deeper rhythms of life.




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