Hoori accepted the gifts with tremulous hands.
My father explained. “The green one is a tide-raising jewel Shiomitsu-Tama, and the other is the tide-lowering jewel Shiohuru-Tama. Use them if you need them.”
I smiled at both of them through my tears. In my naiveté, I thought that the jewels were to make our meetings easier, so that Hoori could bring the sea to his doorstep and me with it. But I was wrong.
When Hoori returned home, born on the back of our swiftest shark, he discovered that Hoderi had a hidden purpose in sending him away to find his hook. While Hoori was away, Hoderi had taken over the land, installing himself as an Emperor, usurping Hoori’s place. I do not know what it is that men usually do to hurt each other; but I do know that Hoori used Shiomitsu-Tama, the jewel of flow, to call the ocean forth and flood his brother’s fields, poisoning the land with salt, to steal the breath of Hoderi’s men. The ocean flowed onto the land, drowned the fields and people who worked in them, until it rose all the way to the doorstep of Hoderi no mikoto’s house.
And we, the inhabitants of the ocean, we suffered too. The ocean fell so low that many of the shallow places were exposed, killing the coral and the slow starfish and sea urchins. Jellyfish flopped on the exposed rocks and collapsed into sad puddles of death. The secret grotto grew too shallow for the snails, and they fled, their mantles rustling on the dry sand. That was the price of your triumph.
And when you succeeded in subduing your willful sibling, you lowered the tides, filling back the ocean. Oh, how happy we were that day, and how we mourned those we had lost! But there was little time for mourning; it was time for our child to be born.
Tamayoribime and I dressed in our finest silks and mounted our loyal whale who took us to the shores of your country. Tamayoribime sang and tried to make conversation, laughing a little desperately, trying to recapture the carefree days of our childhood and failing. Soon, she gave up, leaving me to my thoughts. I worried if you remembered to build the hut and fretted that you wouldn’t be able to resist the temptation to look. And I felt guilty about my deception, about hiding my true nature from you, but when one was born a princess, a daughter of the Sea kami, one was bound to have some secrets even one’s husband was not meant know.
The night had descended, setting the ocean aflame with many tiny candles lit for us by the tiniest of our subjects, and they reflected in the fine sky canopy of black velvet stretching far above us. The roaring of the waves signaled that the shore was close, and anxiously I searched the outline of the dark beach against the darker sky for the sign of my beloved. I saw a flickering of a lantern mounted on the cormorant-feathered roof of a hut. The hut was small but warm and dry and richly decorated on the inside. You waited for me there, and the moment our hands met I felt the first pangs of birth pain.
Tamayoribime ushered you outside, into the darkness, where the waves crashed on the shore with a hungry roar and the air tasted of salt spumes. When she returned, she wiped the sweat off my forehead and comforted me as the contractions grew stronger, and I was no longer able to maintain my human form.
My hair unwound like the seaweed in the current and fell off, and my nose elongated as my mouth jutted forward, pushed wide open by the gleaming triangular teeth. My smooth skin turned into sand and leather, my arms turned into fins, and my legs fused into a muscular tail armored with a crescent fin. As a shark, I writhed in agony of childbirth, my entire body convulsing and my tail whipping the tatami covering the earthen f loor.
Just as the head of our son, open-eyed and screaming, pushed out of my body and my insides ripped and bled, I heard another scream. With my shark eyes I saw your face, pale against the sky, looking at me through the hole in the roof. Oh, the horror on your face would’ve been easier to bear than the disgust. Tears rolled from my lidless fish eyes, and with a downward maw, teeth gnashing, I begged and pleaded for your forgiveness, for you to love me again.
The color drained from your face, and I saw that with it all the memories of our life under the ocean drained out of you, as if they never existed. You forgot everything and could only see the loathsome monster writhing on the ground between your son and pretty Tamayoribime. What was left for me to do? I fled, lumbering, flopping, awkward, my gills full of sand. I struggled across the beach and into the waiting welcoming arms of the surf. It embraced me, washing away dirt and blood, forgiving, comforting.
I did not look back.
I returned to my father’s palace, leaving Tamayoribime to care for my son Ugayafukiaezu. The bond between us had been broken, and even she chose you and the child over me. I could not bear to look at my child or at you, and so I blocked the passage between land and sea, so that the journey between our realms would never again be easy. Only Tamayoribime passed freely, bringing me news of my son’s growth and an occasional poem from you.
I could not bear to hear the singing of fish anymore and could not forgive them for telling you about the whereabouts of the cursed fishhook, so I took away their voices. Now, they are forever silent, and only the mournful songs of their koto and shamisen and the silver bells of the jellyfish break the silence of our realm. I listen to their music, so sad, and yet not sadder than my heart. When all the tears are cried out and only memories are left, I wander like a ghost in the grand palace made of fish scales, dreaming of the voices of my sister and my husband.
And every time the ocean water churns, I am reminded of the ebb and flow of the tides, of the jewels you still have in your possession. You never use them anymore, not even to bring me closer to you. But every time the water turns toward land, I grow hopeful, and my love for you ebbs and flows with the ocean.
THERE IS A MONSTER UNDER HELEN’S BED
Moth flutters against the billowing curtains—white on white— and Helen knows it’s there only because of the sound its wings make, quick little beats, dry and rustling. Helen imagines the moth scream in a silent high pitch.
Helen wants to get up and untangle the little wings carefully, avoiding the powdery scales, but she cannot let her feet touch the floor. She imagines the cool wide boards, polished to a smooth shine, so good to slide across in her white socks she has to change every day now—but that’s for daytime, when monsters are asleep and sated, and retreat under the floorboards and behind the wallpaper covered in deceitfully bright flowers. Monsters sleep behind the flowers, in the narrow interstices between the wallpaper and the drywall, under the nodding shadows of printed daisies and poppies.
But at night they wait for Helen, and she does not dare to set foot on the smooth floor. The moth flutters, and Helen digs herself deeper under the covers.
Helen has to go to the bathroom. The monster senses her restless shifting and breathes heavily, moving closer to the edge, its claws scrabbling on the wood of the floorboards. Helen can hear the wet gurgling of its saliva and phlegm, and shivers. She will wet her bed again tonight.
Helen’s new mom, Janis, listens to the sounds upstairs. The circle of yellow light from the lamp clings to the shaggy rug Janis wants removed but never gets around to.
Her husband Tom follows her gaze with his own and smiles sheepishly.
“How long do you think until she learns English?”
Tom shrugs. “Children pick up languages pretty fast.”
“But she’s . . . older,” Janis says. There is carefully hidden disappointment in her voice. She tries to love Helen; most of all, she tries not to regret her decision to adopt her. She did not want to wait for a younger child to become available, not in that horrid hotel with frozen pipes and non-flushing toilet, not in Siberia, where snow covered the ground in October. She grabbed Helen and ran back to the semblance of civilization in Moscow and then back to New Jersey—much like one would grab a sweater one did not particularly like, just to not spend another hour in a mall. She now regretted her panic, she regretted—even though she would never admit it to herself—bringing back Helen and not someone else. She is older, and like so many orphanage kids, she has developed an attachment disorder, or so her psychiatrist said.
She is a pretty child though, Janis consoles herself. Thin and blond, with dark blue eyes that have a habit of staring at any adult with thoughtful intensity, as if sizing them up for parental role. But everyone said how pretty she was. Janis sighs and returns to her reading. It’s a parenting book, something she never thought she would be reading.
There’s rustling upstairs, and both Janis and Tom look up, as if expecting to be able to see through the vaulted ceiling.
“Should we check on her?” Janis says.
Tom shakes his head. “She’s old enough to sleep by herself.”
Janis remembers the orphanage—ten beds to a room. Helen is not used to being by herself.
“She better not wet her bed again,” Tom says.
Janis nods. The book is not helping.
Helen thinks back to the day when the monsters first appeared. She had to go to the bathroom, and she felt (or imagined) a quick touch of hot breath when her feet touched the cold linoleum tiles of the orphanage floor. She listened to the even breathing of eight other girls—one had been recently adopted, the youngest, who went home with her new mom and dad. There were no monsters and no hidden breathing, just a general unfairness of the situation: the longer one waited for the parents to show up, the smaller one’s chances grew.