One of the first things Maximilian Morrel did, after he and his wife were comfortably installed at the Hôtel de France in Rome, was to make a formal call at the Palazzo Massetti and present his letters of introduction to the aged Count, Giovanni's father.

The old nobleman, who was at least seventy and very patriarchal in appearance because of his flowing white locks and long snowy beard, received the young Frenchman with great urbanity and condescension in a sumptuously furnished salon full of rare art treasures and dazzling with gold and satin. He met him with outstretched hand and said, warmly, at the same time glancing at the Captain's card as if to refresh his memory: "I am delighted to have the honor of welcoming so distinguished a visitor as Captain Maximilian Morrel to the Palazzo Massetti. Pray be seated, Captain, and consider my residence as yours."

The Count spoke French fluently, without even the faintest trace of a foreign accent, and this fact as well as his charmingly cordial manner caused the young soldier immediately to feel at ease in his presence.

"I assure you, Count," returned Maximilian, bowing and then seating himself, "that the pleasure is mutual."

The aged nobleman also took a chair, and for a time they conversed agreeably on various subjects. The Count had been a brave, active soldier in his day and was much interested in French military affairs. The visitor, who was thoroughly posted on this topic and devotedly attached to his profession, gave his inquisitive host every detail he demanded and was particularly enthusiastic when he spoke of the Parisian workmen, who, as he asserted, could leave their accustomed toil at a moment's notice and encounter the perils of the battlefield with the endurance of trained veterans.

At length Maximilian thought he could venture to feel the ground in regard to his mission. It was certainly a very delicate matter, but the Count's politeness and bonhomie encouraged him to proceed. Looking the old nobleman straight in the face he said: "I believe, Count, you have a son named Giovanni, who was recently in Paris."

Instantly the aged Roman's brow clouded and he cast a scrutinizing glance at his guest. Then he said, coldly: "I have no son!"

Maximilian in his turn gazed searchingly at the Count, but the latter's visage had already assumed a stony and defiant look that seemed to oppose an insurmountable barrier to further conversation on this subject. There was an awkward pause, during which the two men continued to gaze at each other. M. Morrel, though much embarrassed and disconcerted by the prompt check he had received, was the first to break the ominous silence.




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