An hour before sundown Samuel Lonestar Bowman and I made our way over a stretch of reasonably clear ground to the site where Sheena’s tent was pitched. Two sentries crouched out in front. They reminded me of the lions at the New York Public Library. One of them was whittling a branch. His knife had a sharply curved blade, and looked menacing. The other also held a knife. The blade was longer and straighter, and he wasn’t carving anything with it. He was just holding it and looking dangerous.
Bowman spoke to the carver, reeling off several ornate sentences of gibberish. The sentry did not appear at first to have heard. He went on whittling for a few moments. Then he straightened up abruptly, put down the hunk of wood, and tucked a knife into the waistband of his trousers. He went into Sheena’s tent. The other sentry contrived to look twice as menacing as usual in order to take up the slack.
The carver reappeared wordlessly, dropped to a crouch, picked up the chunk of wood, and whipped out his knife. He resumed carving, ignoring us completely. This was evidently his way of approving our credentials. Alone I might have been a little diffident about brushing on past him, but Sam led the way and I only had to follow.
Inside, a candle glowed to illuminate the interior of the tent. It was more spacious than I would have guessed, and far more elaborately appointed. When you considered that the tent was a mobile unit, taken up when the troupe broke camp and pitched anew when the day’s march ended, it seemed surprisingly comfortable. It was light-tight, and it had room enough for a lush bed of straw and leaves on which our matriarch was doing her supine white goddess number. Her platinum-gold hair cascaded over bare shoulders. Animal skins covered her breasts and lower body. One leg was extended, the other doubled up, as in Italian paintings of orgiastic pagan deities.
Bowman said, “This be Tanner, who comes to be husband to Sheena, Queen of the Jungle and hope of heaven.” He bowed his head. “What God has laid together, let no man put asunder.” He said a few more words, bowed again, and backed out of the tent.
I had been well coached, and knew my part. I dropped to one knee beside her, genuflected, got to my feet. I shucked off the shapeless cotton shirt and trousers and stood naked for her inspection. We had renewed the body make-up with fresh roots and berries, and I had collected a handful of cochineal beetles which supplied the red dye. The candle provided imperfect light, and Sheena squinted to study me.
I felt my stomach muscles tighten, felt a pulse working in my throat. This was the crucial moment. Bowman was waiting outside, ready to spring into action if the thing blew up in our faces. With luck I might be able to cool Sheena before she sounded the alarm, and we might have a chance to make a desperate break. But if she didn’t tip now, our odds improved hearteningly.
“She’s right on top of things at the beginning,” Bowman had told me. “There’s a first-rate mind underneath all the flakiness, and now and then she can use it. But if she doesn’t make you as white right off the bat, you could be home free. Because after she performs the marriage ceremony, she gets involved in consummating it, and she’s got a real genius for consummation. She gets all involved in what she’s doing. Once she’s in the swing of things she wouldn’t know if she was being humped by a white man or a black man or a donkey. She works a man half to death, but you don’t want to think it’s all a burden. There are things about that woman I am going to miss a whole lot. But I don’t want to spoil it for you, Tanner cat. You just go and have yourself a time.”
The trouble was that I didn’t feel like having myself a time. If I had felt any less virile I would have sat down and written regional fiction for The New Yorker. It struck me that if I passed inspection I would just fail the road test anyway. And that would knock the props out from under our escape plan.
Sheena’s eyes scanned me. I waited, and she nodded slowly, and it seemed that I had passed inspection. She seemed neither wildly delighted with what she saw nor abysmally depressed. She motioned with one hand, and I sank again to my knees.
She said, “And thou shalt love the Goddess with all thy heart and with all thy soul and with all thy might. And these words which I command thee this evening shall guide thy spirit all the length of thy days. And thou shall write them upon the doorposts of thy house, and shall make them as a sign in blood upon thy loins. And thou shalt-”
It went on like this, the ceremony did, and while none of it made very much literal sense I couldn’t shake the feeling that I had heard it all before, part here and part there. Now and then I recognized a part from the standard marriage ritual, and ultimately we did reach the nitty-gritty:
“Do you, Tanner, take this woman, Sheena, as your bride and goddess, to love, honor, and obey, in sickness and in health, for better or for worse, until death do you in?”
“ Katanga Salami Nokomis.”
“Then by the authority vested in me I do proclaim us woman and husband. Sticks and stones shall break thy bones but names shall never hurt thee.” She shrugged off the pelts, exposing her naked flesh. Her body was so flawlessly formed and so lushly designed it seemed incredible that she did not fold into three parts, that her navel was indeed unstapled. She was honestly too good to be true, and the effect was perversely anaphrodisiacal – that which was so perfectly designed to turn one on had the effect of turning one (more precisely, me) off.
This may reveal a tragic flaw in my own character. I’m not sure. I seem to be encumbered with an unwillingness to believe in the ideal when I encounter it. Spectacular scenery makes me feel that I am watching a film or examining a picture postcard. When I see an extraordinary hairdo I assume the lady is wearing a wig. Plants growing luxuriantly appear plastic. It has occurred to me that this inability to accept perfection may be a corollary to the idea of a man’s reach properly exceeding his grasp. And I would have liked to pursue the thought further, but I had other things to contend with.
Sheena, for example.
“Dearly beloved,” she was saying, “we have come to bury Caesar, not to praise him. Dust thou art, to dust returneth, and may God have mercy on your soul. You may fuck the bride.”