"Yes."

"Well, I saw her just now," Charles went on, "at Madame Liegeard's. I

spoke to her about you, and she doesn't know you."

This was like a thunderclap. However, she replied quite naturally-"Ah! no doubt she forgot my name."

"But perhaps," said the doctor, "there are several Demoiselles Lempereur

at Rouen who are music-mistresses."

"Possibly!" Then quickly--"But I have my receipts here. See!"

And she went to the writing-table, ransacked all the drawers, rummaged

the papers, and at last lost her head so completely that Charles

earnestly begged her not to take so much trouble about those wretched

receipts.

"Oh, I will find them," she said.

And, in fact, on the following Friday, as Charles was putting on one

of his boots in the dark cabinet where his clothes were kept, he felt

a piece of paper between the leather and his sock. He took it out and

read-"Received, for three months' lessons and several pieces of music, the

sum of sixty-three francs.--Felicie Lempereur, professor of music."

"How the devil did it get into my boots?"

"It must," she replied, "have fallen from the old box of bills that is

on the edge of the shelf."

From that moment her existence was but one long tissue of lies, in which

she enveloped her love as in veils to hide it. It was a want, a mania,

a pleasure carried to such an extent that if she said she had the day

before walked on the right side of a road, one might know she had taken

the left.

One morning, when she had gone, as usual, rather lightly clothed, it

suddenly began to snow, and as Charles was watching the weather from the

window, he caught sight of Monsieur Bournisien in the chaise of Monsieur

Tuvache, who was driving him to Rouen. Then he went down to give the

priest a thick shawl that he was to hand over to Emma as soon as he

reached the "Croix-Rouge." When he got to the inn, Monsieur Bournisien

asked for the wife of the Yonville doctor. The landlady replied that

she very rarely came to her establishment. So that evening, when he

recognised Madame Bovary in the "Hirondelle," the cure told her his

dilemma, without, however, appearing to attach much importance to it,

for he began praising a preacher who was doing wonders at the Cathedral,

and whom all the ladies were rushing to hear.

Still, if he did not ask for any explanation, others, later on, might

prove less discreet. So she thought well to get down each time at the

"Croix-Rouge," so that the good folk of her village who saw her on the

stairs should suspect nothing.




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