I say, my lord, can such a subtilty

(But all his craft ye must not wot of me,

And somewhat help I yet to his working),

That all the ground on which we ben riding,

Till that we come to Canterbury town,

He can all clean turnen so up so down,

And pave it all of silver and of gold.

--THE CANON'S YEOMAN'S PROLOGUE, CANTERBURY TALES.

THE artist commenced his narrative in the following terms:

-"I was bred a blacksmith, and knew my art as well as e'er a

black-thumbed, leathern-aproned, swart-faced knave of that noble

mystery. But I tired of ringing hammer-tunes on iron stithies, and went

out into the world, where I became acquainted with a celebrated juggler,

whose fingers had become rather too stiff for legerdemain, and who

wished to have the aid of an apprentice in his noble mystery. I served

him for six years, until I was master of my trade--I refer myself to

your worship, whose judgment cannot be disputed, whether I did not learn

to ply the craft indifferently well?"

"Excellently," said Tressilian; "but be brief."

"It was not long after I had performed at Sir Hugh Robsart's, in your

worship's presence," said the artist, "that I took myself to the stage,

and have swaggered with the bravest of them all, both at the Black Bull,

the Globe, the Fortune, and elsewhere; but I know not how--apples were

so plenty that year that the lads in the twopenny gallery never took

more than one bite out of them, and threw the rest of the pippin at

whatever actor chanced to be on the stage. So I tired of it--renounced

my half share in the company, gave my foil to my comrade, my buskins to

the wardrobe, and showed the theatre a clean pair of heels."

"Well, friend, and what," said Tressilian, "was your next shift?"

"I became," said the smith, "half partner, half domestic to a man

of much skill and little substance, who practised the trade of a

physicianer."

"In other words," said Tressilian, "you were Jack Pudding to a

quacksalver."

"Something beyond that, let me hope, my good Master Tressilian," replied

the artist; "and yet to say truth, our practice was of an adventurous

description, and the pharmacy which I had acquired in my first studies

for the benefit of horses was frequently applied to our human patients.

But the seeds of all maladies are the same; and if turpentine, tar,

pitch, and beef-suet, mingled with turmerick, gum-mastick, and one bead

of garlick, can cure the horse that hath been grieved with a nail, I see

not but what it may benefit the man that hath been pricked with a sword.

But my master's practice, as well as his skill, went far beyond

mine, and dealt in more dangerous concerns. He was not only a bold,

adventurous practitioner in physic, but also, if your pleasure so

chanced to be, an adept who read the stars, and expounded the fortunes

of mankind, genethliacally, as he called it, or otherwise. He was a

learned distiller of simples, and a profound chemist--made several

efforts to fix mercury, and judged himself to have made a fair hit at

the philosopher's stone. I have yet a programme of his on that subject,

which, if your honour understandeth, I believe you have the better, not

only of all who read, but also of him who wrote it."




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