Then followed a spell of peace;--and the restoration of the church at St. Rest was quietly proceeded with. Lovingly, and with tenderest care for every stone, every broken fragment, John Walden pieced together the ruined shrine of ancient days, and managed at last to trace and recover the whole of the original plan. It had never been a large building, its proportions being about the same as those of Roslin Chapel, near Edinburgh. The task of restoration was costly, especially when carried out with such perfection and regard to detail,--but Walden grudged nothing to make it complete, and superintended the whole thing himself, rejecting all the semi- educated suggestions of the modern architect, and faithfully following out the ideas of the particular period in which the church was originally designed by those to whom the building of a 'God's House' was a work of solemn prayer and praise. The ancient stones were preserved, and wherever modern masonry was used, it was cunningly worked in to look as time-worn as the Norman walls, while the lancet windows were filled with genuine old stained glass purchased by degrees from different parts of England, each fragment being properly authenticated. A groined roof, simple yet noble in outline, covered in the building; ornamented with delicately rounded mouldings alternated with hollows so planned as to give the most forcible effects of light and shade according to the style of English Early Pointed work, and the only thing that was left incomplete was the pierced circular window above the chancel, which Walden sought to fill with stained glass of such indubitable antiquity and beauty of design that he was only able to secure it bit by bit at long intervals. While engaged in collecting this, he judged it best to fill the window with ordinary clear glass rather than put in inferior stuff. age system exactly in the middle of the chancel, fronting the altar, we will let it remain there and occupy its own original place. The chancel could not have a grander ornament!

And so, in the middle of the chancel, between the altar and the steps which separated that part of the church from the main body of the building, the mysterious undated relic lay under the warm light of the eastern window, and people who were interested in antiquities came from far and near to see it, though they could make no more of it than Walden himself had done. The cross and sword might possibly indicate martyrdom; the laurels and thorn fame. Certainly there were no signs that the dumb occupant of that sealed coffer was a monarch of merely earthly power and state. When the alabaster came to be thoroughly cleansed and polished, part of the inscription could be deciphered in the following letters of worn gold: Sancta. vixit. Sancta obit.. In. coelum.. sanctorum., transmigravit... In Resurrectione Sanctorum resurget M.. Beatse. ma.. R.




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