Outside in the churchyard, there was a general little flutter of local excitement. Maryllia lingered there for several minutes, pointing out the various beauties in the architecture of the church to her guests, not that these individuals were very much interested in such matters, for they were of that particular social type which considers that the highest form of good breeding is to show a polite nullity of feeling concerning everything and everybody. They were eminently 'cultured,' which nowadays means pre-eminently dull. Had they been asked, they would have said that it is dangerous to express any opinion on any subject,--even on the architecture of a church. Because the architect himself might be somewhere near,--or the architect's father, or his mother or his great-grandam--one never knows! And by a hasty remark in the wrong place and at the wrong moment, one might make an unnecessary enemy. It is so much nicer--so much safer to say nothing at all! Of course they looked at the church,--it would have been uncivil to their hostess not to look at it, as she was taking the trouble to call their attention to its various points, and they assumed the usual conventional air of appreciative admiration.

But none of, them understood anything about it,--and none of them cared to understand. They had not even noticed the ancient sarcophagus in front of the altar except as 'some odd kind of sculptured ornament.' When they wore told what it was, they smiled vacuously, and said: 'How curious!' But further than this mild and non-aggressive exclamation they did not venture. The villagers hung about shyly, loth to lose sight of the 'quality';-- two or three 'county' people lingered also, to stare at, and comment upon, the notorious 'beauty,' Lady Beaulyon, whose physical charms, having been freely advertised for some years in the society columns of the press, were naturally 'on show' for the criticism of Tom, Dick and Harry,--Mrs. Mandeville Poreham, marshalling her five marriageable daughters together, stalked magisterially to her private 'bus, very much en evidence, and considerably put out by the supercilious gaze and smile of the perfectly costumed Mrs. Bludlip Courtenay,--Julian Adderley, coming up in response to the beckoning finger of Cicely Bourne, was kindly greeted by Maryllia, introduced to one or two of her friends, and asked then and there to luncheon, an invitation he accepted with alacrity, and, after this, all the Manor party started with their hostess to walk home, leaving the village and villagers behind them, and discussing as they went, the morning's service and sermon in the usual brief and desultory style common to fashionable church-goers. The principal impression they appeared to have on their minds was one of vague amusement. The notion that any clergyman should have the 'impudence'--(this was the word used by Mrs. Bludlip Courtenay)--to pause in the service because people came in late, touched the very apex of absurdity.




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