"Then." said the fiddler, "I'll venture to name that the right and proper thing is "The Soldier's Joy" -there being a gallant soldier married into the farm -hey, my sonnies, and gentlemen all?"
"It shall be "The Soldier's Joy," exclaimed a chorus.
"Thanks for the compliment." said the sergeant gaily, taking Bathsheba by the hand and leading her to the top of the dance. "For though I have purchased my discharge from Her Most Gracious Majesty's regiment of cavalry the 11th Dragoon Guards, to attend to the new duties awaiting me here, I shall continue a soldier in spirit and feeling as long as I live."
So the dance began. As to the merits of "The Soldier's Joy." there cannot be, and never were, two opinions. It has been observed in the musical circles of Weatherbury and its vicinity that this melody, at the end of three-quarters of an hour of thunderous footing, still possesses more stimulative properties for the heel and toe than the majority of other dances at their first opening. "The Soldier's Joy" has, too, an additional charm, in being so admirably adapted to the tambourine aforesaid -- no mean instrument in the hands of a performer who understands the proper convulsions, spasms, St. vitus's dances, and fearful frenzies necessary when exhibiting its tones in their highest perfection.
The immortal tune ended, a fine DD rolling forth from the bass-viol with the sonorousness of a cannonade, and Gabriel delayed his entry no longer. He avoided Bathsheba, and got as near as possible to the platform, where Sergeant Troy was now seated, drinking brandyand-water, though the others drank without exception cider and ale. Gabriel could not easily thrust himself within speaking distance of the sergeant, and he sent a message, asking him to come down for a moment.
"The sergeant said he could not attend.
"Will you tell him, then." said Gabriel, "that I only stepped ath'art to say that a heavy rain is sure to fall soon, and that something should be done to protect the ricks?"
"M. Troy says it will not rain." returned the messenger, "and he cannot stop to talk to you about such fidgets."
In Juxtaposition with Troy, Oak had a melancholy tendency to look like a candle beside gas, and ill at ease, he went out again, thinking he would go home; for, under the circumstances, he had no heart for the scene in the barn. At the door he paused for a moment: Troy was speaking.
"Friends, it is not only the harvest home that we are celebrating to-night; but this is also a Wedding Feast. A short time ago I had the happiness to lead to the altar this lady, your mistress, and not until now have we been able to give any public flourish to the event in Weatherbury. That it may be thoroughly well done, and that every man may go happy to bed, I have ordered to be brought here some bottles of brandy and kettles of hot water. A treble-strong goblet will he handed round to each guest."