Adam’s voice had gone rusty from lack of use. “No,” he said, “I don’t want any wells. I’ll pay for the work you did.”
Samuel leaned over the basket and put his finger against the small palm of one of the twins and the fingers closed and held on. “I guess the last bad habit a man will give up is advising.”
“I don’t want advice.”
“Nobody does. It’s a giver’s present. Go through the motions, Adam.”
“What motions?”
“Act out being alive, like a play. And after a while, a long while, it will be true.”
“Why should I?” Adam asked.
Samuel was looking at the twins. “You’re going to pass something down no matter what you do or if you do nothing. Even if you let yourself go fallow, the weeds will grow and the brambles. Something will grow.”
Adam did not answer, and Samuel stood up. “I’ll be back,” he said. “I’ll be back again and again. Go through the motions, Adam.”
In the back of the shed Lee held Doxology while Sam mounted. “There goes your bookstore, Lee,” he said.
“Oh, well,” said the Chinese, “maybe I didn’t want it much anyway.”
Chapter 19
1
A new country seems to follow a pattern. First come the openers, strong and brave and rather childlike. They can take care of themselves in a wilderness, but they are naïve and helpless against men, and perhaps that is why they went out in the first place. When the rough edges are worn off the new land, businessmen and lawyers come in to help with the development—to solve problems of ownership, usually by removing the temptations to themselves. And finally comes culture, which is entertainment, relaxation, transport out of the pain of living. And culture can be on any level, and is.
The church and the whorehouse arrived in the Far West simultaneously. And each would have been horrified to think it was a different facet of the same thing. But surely they were both intended to accomplish the same thing: the singing, the devotion, the poetry of the churches took a man out of his bleakness for a time, and so did the brothels. The sectarian churches came in swinging, cocky and loud and confident. Ignoring the laws of debt and repayment, they built churches which couldn’t be paid for in a hundred years. The sects fought evil, true enough, but they also fought each other with a fine lustiness. They fought at the turn of a doctrine. Each happily believed all the others were bound for hell in a basket. And each for all its bumptiousness brought with it the same thing: the Scripture on which our ethics, our art and poetry, and our relationships are built. It took a smart man to know where the difference lay between the sects, but anyone could see what they had in common. And they brought music—maybe not the best, but the form and sense of it. And they brought conscience, or, rather, nudged the dozing conscience. They were not pure, but they had a potential of purity, like a soiled white shirt. And any man could make something pretty fine of it within himself. True enough, the Reverend Billing, when they caught up with him, turned out to be a thief, an adulterer, a libertine, and a zoophilist, but that didn’t change the fact that he had communicated some good things to a great number of receptive people. Billing went to jail, but no one ever arrested the good things he had released. And it doesn’t matter much that his motive was impure. He used good material and some of it stuck. I use Billing only as an outrageous example. The honest preachers had energy and go. They fought the devil, no holds barred, boots and eye-gouging permitted. You might get the idea that they howled truth and beauty the way a seal bites out the National Anthem on a row of circus horns. But some of the truth and beauty remained, and the anthem was recognizable. The sects did more than this, though. They built the structure of social life in the Salinas Valley. The church supper is the grandfather of the country club, just as the Thursday poetry reading in the basement under the vestry sired the little theater.
While the churches, bringing the sweet smell of piety for the soul, came in prancing and farting like brewery horses in bock-beer time, the sister evangelism, with release and joy for the body, crept in silently and gravely, with its head bowed and its face covered.
You may have seen the spangled palaces of sin and fancy dancing in the false West of the movies, and maybe some of them existed—but not in the Salinas Valley. The brothels were quiet, orderly, and circumspect. Indeed, if after hearing the ecstatic shrieks of climactic conversion against the thumping beat of the melodeon you had stood under the window of a whorehouse and listened to the low decorous voices, you would have been likely to confuse the identities of the two ministries. The brothel was accepted while it was not admitted.
I will tell you about the solemn courts of love in Salinas. They were about the same in other towns, but the Salinas Row has a pertinence to this telling.
You walked west on Main Street until it bent. That’s where Castroville Street crossed Main. Castroville Street is now called Market Street, God knows why. Streets used to be named for the place they aimed at. Thus Castroville Street, if you followed it nine miles, brought you to Castroville, Alisal Street to Alisal, and so forth.
Anyway, when you came to Castroville Street you turned right. Two blocks down, the Southern Pacific tracks cut diagonally across the street on their way south, and a street crossed Castroville Street from east to west. And for the life of me I cannot remember the name of that street. If you turned left on that street and crossed the tracks you were in Chinatown. If you turned right you were on the Row.
It was a black ’dobe street, deep shining mud in winter and hard as rutted iron in summer. In the spring the tall grass grew along its sides—wild oats and mallow weeds and yellow mustard mixed in. In the early morning the sparrows shrieked over the horse manure in the street.
Do you remember hearing that, old men? And do you remember how an easterly breeze brought odors in from Chinatown, roasting pork and punk and black tobacco and yen shi? And do you remember the deep Waiting stroke of the great gong in the Joss House, and how its tone hung in the air so long?
Remember, too, the little houses, unpainted, unrepaired? They seemed very small, and they tried to efface themselves in outside neglect, and the wild overgrown front yards tried to hide them from the street. Remember how the shades were always drawn with little lines of yellow light around their edges? You could hear only a murmur from within. Then the front door would open to admit a country boy, and you’d hear laughter and perhaps the soft sentimental tone of an open-face piano with a piece of toilet chain across the strings, and then the door would close it off again.