The Medusa-apparition was made effective beyond Lydia's conception by the shock it gave Gwendolen actually to see Grandcourt ignoring this woman who had once been the nearest in the world to him, along with the children she had borne him. And all the while the dark shadow thus cast on the lot of a woman destitute of acknowledged social dignity, spread itself over her visions of a future that might be her own, and made part of her dread on her own behalf. She shrank all the more from any lonely action. What possible release could there be for her from this hated vantage ground, which yet she dared not quit, any more than if fire had been raining outside it? What release, but death? Not her own death. Gwendolen was not a woman who could easily think of her own death as a near reality, or front for herself the dark entrance on the untried and invisible. It seemed more possible that Grandcourt should die:--and yet not likely. The power of tyranny in him seemed a power of living in the presence of any wish that he should die. The thought that his death was the only possible deliverance for her was one with the thought that deliverance would never come--the double deliverance from the injury with which other beings might reproach her and from the yoke she had brought on her own neck. No! she foresaw him always living, and her own life dominated by him; the "always" of her young experience not stretching beyond the few immediate years that seemed immeasurably long with her passionate weariness. The thought of his dying would not subsist: it turned as with a dream-change into the terror that she should die with his throttling fingers on her neck avenging that thought. Fantasies moved within her like ghosts, making no break in her more acknowledged consciousness and finding no obstruction in it: dark rays doing their work invisibly in the broad light.
Only an evening or two after that encounter in the Park, there was a grand concert at Klesmer's, who was living rather magnificently now in one of the large houses in Grosvenor Place, a patron and prince among musical professors. Gwendolen had looked forward to this occasion as one on which she was sure to meet Deronda, and she had been meditating how to put a question to him which, without containing a word that she would feel a dislike to utter, would yet be explicit enough for him to understand it. The struggle of opposite feelings would not let her abide by her instinct that the very idea of Deronda's relation to her was a discouragement to any desperate step towards freedom. The next wave of emotion was a longing for some word of his to enforce a resolve. The fact that her opportunities of conversation with him had always to be snatched in the doubtful privacy of large parties, caused her to live through them many times beforehand, imagining how they would take place and what she would say. The irritation was proportionate when no opportunity came; and this evening at Klesmer's she included Deronda in her anger, because he looked as calm as possible at a distance from her, while she was in danger of betraying her impatience to every one who spoke to her. She found her only safety in a chill haughtiness which made Mr. Vandernoodt remark that Mrs. Grandcourt was becoming a perfect match for her husband. When at last the chances of the evening brought Deronda near her, Sir Hugo and Mrs. Raymond were close by and could hear every word she said. No matter: her husband was not near, and her irritation passed without check into a fit of daring which restored the security of her self-possession. Deronda was there at last, and she would compel him to do what she pleased. Already and without effort rather queenly in her air as she stood in her white lace and green leaves she threw a royal permissiveness into her way of saying, "I wish you would come and see me to-morrow between five and six, Mr. Deronda."