Natalie Spencer was giving a dinner. She was not an easy hostess. Like

most women of futile lives she lacked a sense of proportion, and

the small and unimportant details of the service absorbed her. Such

conversation as she threw at random, to right and left, was trivial and

distracted.

Yet the dinner was an unimportant one. It had been given with an eye

more to the menu than to the guest list, which was characteristic of

Natalie's mental processes. It was also characteristic that when the

final course had been served without mishap, and she gave a sigh of

relief before the gesture of withdrawal which was a signal to the other

women, that she had realized no lack in it. The food had been good, the

service satisfactory. She stood up, slim and beautifully dressed, and

gathered up the women with a smile.

The movement found Doctor Haverford, at her left, unprepared and with

his coffee cup in his hand. He put it down hastily and rose, and the

small cup overturned in its saucer, sending a smudge of brown into the

cloth.

"Dreadfully awkward of me!" he said. The clergyman's smile of apology

was boyish, but he was suddenly aware that his hostess was annoyed. He

caught his wife's amiable eyes on him, too, and they said quite plainly

that one might spill coffee at home--one quite frequently did, to

confess a good man's weakness--but one did not do it at Natalie

Spencer's table. The rector's smile died into a sheepish grin.

For the first time since dinner began Natalie Spencer had a clear view

of her husband's face. Not that that had mattered particularly, but the

flowers had been too high. For a small dinner, low flowers, always. She

would speak to the florist. But, having glanced at Clayton, standing

tall and handsome at the head of the table, she looked again. His eyes

were fixed on her with a curious intentness. He seemed to be surveying

her, from the top of her burnished hair to the very gown she wore.

His gaze made her vaguely uncomfortable. It was unsmiling, appraising,

almost--only that was incredible in Clay--almost hostile.

Through the open door the half dozen women trailed out, Natalie in

white, softly rustling as she moved, Mrs. Haverford in black velvet,

a trifle tight over her ample figure, Marion Hayden, in a very brief

garment she would have called a frock, perennial debutante that she was,

rather negligible Mrs. Terry Mackenzie, and trailing behind the others,

frankly loath to leave the men, Audrey Valentine. Clayton Spencer's eyes

rested on Audrey with a smile of amused toleration, on her outrageously

low green gown, that was somehow casually elegant, on her long green

ear-rings and jade chain, on the cigaret between her slim fingers.




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