The theater was derelict and abandoned. Chairs were broken on the floor, and old, dusty spiderwebs draped the walls and hung from the rotten wood and the decomposing velvet hangings.
Something rustled once again. Coraline directed her light beam upward, toward the ceiling. There were things up there, hairless, jellyish. She thought they might once have had faces, might even once have been dogs; but no dogs had wings like bats or could hang, like spiders, like bats, upside down.
The light startled the creatures, and one of them took to the air, its wings whirring heavily through the dust. Coraline ducked as it swooped close to her. It came to rest on a far wall, and it began to clamber, upside down, back to the nest of the dog-bats upon the ceiling.
Coraline raised the stone to her eye and she scanned the room through it, looking for something that glowed or glinted, a telltale sign that somewhere in this room was another hidden soul. She ran the beam of the flashlight about the room as she searched, the thick dust in the air making the light beam seem almost solid.
There was something up on the back wall behind the ruined stage. It was grayish white, twice the size of Coraline herself, and it was stuck to the back wall like a slug. Coraline took a deep breath. “I’m not afraid,” she told herself. “I’m not.” She did not believe herself, but she scrambled up onto the old stage, fingers sinking into the rotting wood as she pulled herself up.
As she got closer to the thing on the wall, she saw that it was some kind of a sac, like a spider’s egg case. It twitched in the light beam. Inside the sac was something that looked like a person, but a person with two heads, with twice as many arms and legs as it should have.
The creature in the sac seemed horribly unformed and unfinished, as if two plasticine people had been warmed and rolled together, squashed and pressed into one thing.
Coraline hesitated. She did not want to approach the thing. The dog-bats dropped, one by one, from the ceiling and began to circle the room, coming close to her but never touching her.
Perhaps there are no souls hidden in here, she thought. Perhaps I can just leave and go somewhere else. She took a last look through the hole in the stone: the abandoned theater was still a bleak gray, but now there was a brown glow, as rich and bright as polished cherrywood, coming from inside the sac. Whatever was glowing was being held in one of the hands of the thing on the wall.
Coraline walked slowly across the damp stage, trying to make as little noise as she could, afraid that, if she disturbed the thing in the sac, it would open its eyes, and see her, and then . . .
But there was nothing that she could think of as scary as having it look at her. Her heart pounded in her chest. She took another step forward.
She had never been so scared, but still she walked forward until she reached the sac. Then she pushed her hand into the sticky, clinging whiteness of the stuff on the wall. It crackled softly, like a tiny fire, as she pushed, and it clung to her skin and clothes like a spiderweb clings, like white cotton candy. She pushed her hand into it, and she reached upward until she touched a cold hand, which was, she could feel, closed around another glass marble. The creature’s skin felt slippery, as if it had been covered in jelly. Coraline tugged at the marble.
At first nothing happened: it was held tight in the creature’s grasp. Then, one by one, the fingers loosened their grip, and the marble slipped into her hand. She pulled her arm back through the sticky webbing, relieved that the thing’s eyes had not opened. She shone the light on its faces: they resembled, she decided, the younger versions of Miss Spink and Miss Forcible, but twisted and squeezed together, like two lumps of wax that had melted and melded together into one ghastly thing.
Without warning, one of the creature’s hands made a grab for Coraline’s arm. Its fingernails scraped her skin, but it was too slippery to grip, and Coraline pulled away successfully. And then the eyes opened, four black buttons glinting and staring down at her, and two voices that sounded like no voice that Coraline had ever heard began to speak to her. One of them wailed and whispered, the other buzzed like a fat and angry bluebottle at a windowpane, but the voices said, as one person, “Thief! Give it back! Stop! Thief!”
The air became alive with dog-bats. Coraline began to back away. She realized then that, terrifying though the thing on the wall that had once been the other Misses Spink and Forcible was, it was attached to the wall by its web, encased in its cocoon. It could not follow her.
The dog-bats flapped and fluttered about her, but they did nothing to hurt Coraline. She climbed down from the stage, shone the flashlight about the old theater looking for the way out.
“Flee, Miss,” wailed a girl’s voice in her head. “Flee, now. You have two of us. Flee this place while your blood still flows.”
Coraline dropped the marble into her pocket beside the other. She spotted the door, ran to it, and pulled on it until it opened.
IX.
OUTSIDE, THE WORLD HAD become a formless, swirling mist with no shapes or shadows behind it, while the house itself seemed to have twisted and stretched. It seemed to Coraline that it was crouching, and staring down at her, as if it were not really a house but only the idea of a house—and the person who had had the idea, she was certain, was not a good person. There was sticky web stuff clinging to her arm, and she wiped it off as best she could. The gray windows of the house slanted at strange angles.
The other mother was waiting for her, standing on the grass with her arms folded. Her black button eyes were expressionless, but her lips were pressed tightly together in a cold fury.
When she saw Coraline she reached out one long white hand, and she crooked a finger. Coraline walked toward her. The other mother said nothing.
“I got two,” said Coraline. “One soul still to go.”
The expression on the other mother’s face did not change. She might not have heard what Coraline said.
“Well, I just thought you’d want to know,” said Coraline.
“Thank you, Coraline,” said the other mother coldly, and her voice did not just come from her mouth. It came from the mist, and the fog, and the house, and the sky. She said, “You know that I love you.”
And, despite herself, Coraline nodded. It was true: the other mother loved her. But she loved Coraline as a miser loves money, or a dragon loves its gold. In the other mother’s button eyes, Coraline knew that she was a possession, nothing more. A tolerated pet, whose behavior was no longer amusing.
“I don’t want your love,” said Coraline. “I don’t want anything from you.”