18.
I'm still smoldering a little, so it's with a tentative hand that Caesar reaches out to touch my headpiece. The white has burned away, leaving a smooth, fitted veil of black that drapes into the neckline of the dress in the back. "Feathers," says Caesar. "You're like a bird."
"A mockingjay, I think," I say, giving my wings a small flap. "It's the bird on the pin I wear as a token."
A shadow of recognition flickers across Caesar's face, and I can tell he knows that the mockingjay isn't just my token. That it's come to symbolize so much more. That what will be seen as a flashy costume change in the Capitol is resonating in an entirely different way throughout the districts. But he makes the best of it.
"Well, hats off to your stylist. I don't think anyone can argue that that's not the most spectacular thing we've ever seen in an interview. Cinna, I think you better take a bow!" Caesar gestures for Cinna to rise. He does, and makes a small, gracious bow. And suddenly I am so afraid for him. What has he done? Something terribly dangerous. An act of rebellion in itself. And he's done it for me. I remember his words ...
"Don't worry. I always channel my emotions into my work. That way I don't hurt anyone but myself."
... and I'm afraid he has hurt himself beyond repair. The significance of my fiery transformation will not be lost on President Snow.
The audience, who's been stunned into silence, breaks into wild applause. I can barely hear the buzzer that indicates that my three minutes are up. Caesar thanks me and I go back to my seat, my dress now feeling lighter than air.
As I pass Peeta, who's headed for his interview, he doesn't meet my eyes. I take my seat carefully, but aside from the puffs of smoke here and there, I seem unharmed, so I turn my attention to him.
Caesar and Peeta have been a natural team since they first appeared together a year ago. Their easy give-and-take, comic timing, and ability to segue into heart-wrenching moments, like Peeta's confession of love for me, have made them a huge success with the audience. They effortlessly open with a few jokes about fires and feathers and overcooking poultry. But anyone can see that Peeta is preoccupied, so Caesar directs the conversation right into the subject that's on everyone's minds.
"So, Peeta, what was it like when, after all you've been through, you found out about the Quell?" asks Caesar.
"I was in shock. I mean, one minute I'm seeing Katniss looking so beautiful in all these wedding gowns, and the next ..." Peeta trails off.
"You realized there was never going to be a wedding?" asks Caesar gently.
Peeta pauses for a long moment, as if deciding something. He looks out at the spellbound audience, then at tin floor, then finally up at Caesar. "Caesar, do you think all our friends here can keep a secret?"
An uncomfortable laugh emanates from the audience. What can he mean? Keep a secret from who? Our whole world is watching.
"I feel quite certain of it," says Caesar.
"We're already married," says Peeta quietly. The crowd reacts in astonishment, and I have to bury my face in the folds of my skirt so they can't see my confusion. Where on earth is he going with this?
"But ... how can that be?" asks Caesar.
"Oh, it's not an official marriage. We didn't go to the Justice Building or anything. But we have this marriage ritual in District Twelve. I don't know what it's like in the other districts. But there's this thing we do," says Peeta, and he briefly describes the toasting.
"Were your families there?" asks Caesar.
"No, we didn't tell anyone. Not even Haymitch. And Katniss's mother would never have approved. But you see, we knew if we were married in the Capitol, there wouldn't be a toasting. And neither of us really wanted to wait any longer. So one day, we just did it," Peeta says. "And to us, we're more married than any piece of paper or big party could make us."
"So this was before the Quell?" says Caesar.
"Of course before the Quell. I'm sure we'd never have done it after we knew," says Peeta, starting to get upset. "But who could've seen it coming? No one. We went through the Games, we were victors, everyone seemed so thrilled to see us together, and then out of nowhere - I mean, how could we anticipate a thing like that?"
"You couldn't, Peeta." Caesar puts an arm around his shoulders. "As you say, no one could've. But I have to confess, I'm glad you two had at least a few months of happiness together."
Enormous applause. As if encouraged, I look up from my feathers and let the audience see my tragic smile of thanks. The residual smoke from the feathers has made my eyes teary, which adds a very nice touch.
"I'm not glad," says Peeta. "I wish we had waited until the whole thing was done officially."
This takes even Caesar aback. "Surely even a brief time is better than no time?"
"Maybe I'd think that, too, Caesar," says Peeta bitterly, "if it weren't for the baby."
There. He's done it again. Dropped a bomb that wipes out the efforts of every tribute who came before him. Well, maybe not. Maybe this year he has only lit the fuse on a bomb that the victors themselves have been building. Hoping someone would be able to detonate it. Perhaps thinking it would be me in my bridal gown. Not knowing how much I rely on Cinna's talents, whereas Peeta needs nothing more than his wits.
As the bomb explodes, it sends accusations of injustice and barbarism and cruelty flying out in every direction. Even the most Capitol-loving, Games-hungry, bloodthirsty person out there can't ignore, at least for a moment, how horrific the whole thing is.
I am pregnant.
The audience can't absorb the news right away. It has to strike them and sink in and be confirmed by other voices before they begin to sound like a herd of wounded animals, moaning, shrieking, calling for help. And me? I know my face is projected in a tight close-up on the screen, but I don't make any effort to hide it. Because for a moment, even I am working through what Peeta has said. Isn't it the thing I dreaded most about the wedding, about the future - the loss of my children to the Games? And it could be true now, couldn't it? If I hadn't spent my life building up layers of defenses until I recoil at even the suggestion of marriage or a family?
Caesar can't rein in the crowd again, not even when the buzzer sounds. Peeta nods his good-bye and comes back to his seat without any more conversation. I can see Caesar's lips moving, but the place is in total chaos and I can't hear a word. Only the blast of the anthem, cranked up so loud I can feel it vibrating through my bones, lets us know where we stand in the program. I automatically rise and, as I do, I sense Peeta reaching out for me. Tears run down his face as I take his hand. How real are the tears? Is this an acknowledgment that he has been stalked by the same fears that I have? That every victor has? Every parent in every district in Panem?
I look back to the crowd, but the faces of Rue's mother and father swim before my eyes. Their sorrow. Their loss. I turn spontaneously to Chaff and offer my hand. I feel my fingers close around the stump that now completes his arm and hold fast.
And then it happens. Up and down the row, the victors begin to join hands. Some right away, like the morphlings, or Wiress and Beetee. Others unsure but caught up in the demands of those around them, like Brutus and Enobaria. By the time the anthem plays its final strains, all twenty-four of us stand in one unbroken line in what must be the first public show of unity among the districts since the Dark Days. You can see the realization of this as the screens begin to pop into blackness. It's too late, though. In the confusion they didn't cut us off in time. Everyone has seen.
There's disorder on the stage now, too, as the lights go out and we're left to stumble back into the Training Center. I've lost hold of Chaff, but Peeta guides me into an elevator. Finnick and Johanna try to join us, but a harried Peacekeeper blocks their way and we shoot upward alone.
The moment we step off the elevator, Peeta grips my shoulders. "There isn't much time, so tell me. Is there anything I have to apologize for?"