That night Carnac mapped out his course, carefully framed the policy to offset that of Barode Barouche, and wrote a letter to the Chairman of the Opposition at Montreal offering to stand, and putting forward an ingenious policy. He asked also for an interview; and the interview was granted by telegram--almost to his surprise. He was aware, however, of the discontent among the English members of the Opposition, and of the wish of the French members to find a good compromise.

He had a hope that his singular position--the notoriety which his father's death and his own financial disfranchisement had caused--would be a fine card in his favour. He was not mistaken. His letter arrived at Headquarters when there were difficulties concerning three candidates who were pressing their claims. Carnac Grier, the disinherited son of the great lumber-king, who had fame as an artist, spoke French as though it were his native tongue, was an element of sensation which, if adroitly used, could be of great service. It might even defeat Barode Barouche. In the first place, Carnac was young, good-looking, personable, and taking in his manner. Barouche was old, experienced, with hosts of enemies and many friends, but with injurious egotism. An interview was, therefore, arranged at Headquarters.

On the morning of the day it took place, Carnac's anguished mother went with him to the little railway station of Charlemont. She had slept little the night before; her mind was in an eddy of emotions. It seemed dreadful that Carnac should fight his own father, repeating what Fabian had done in another way. Yet at the bottom of her heart there was a secret joy. Some native revolt in her had joy in the thought that the son might extort a price for her long sorrow and his unknown disgrace.

As she had listened to Barouche at the meeting, she realized how sincere yet insincere he was; how gifted and yet how ungracious was his mind. Her youth was over; long pain and regret had chastened her. She was as lonely a creature as ever the world knew; violence was no part of her equipment; and yet terrible memories made her assent to this new phase of Carnac's life. She wondered what Barouche would think. There was some ancient touch of war in her which made her rejoice that after long years the hammer should strike.

Somehow the thing's tremendous possibilities thrilled her. Carnac had always been a politician--always. She remembered how, when he was a boy, he had argued with John Grier on national matters, laid down the law with the assurance of an undergraduate, and invented theories impossible of public acceptance. Yet in every stand he had taken, there had been thought, logic and reasoning, wrongly premised, but always based on principles. On paper he was generally right; in practice, generally wrong. His buoyant devotion to an idea was an inspiration and a tonic. The curious thing was that, while still this political matter was hanging fire, he painted with elation.




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