“Go to the corner of Verdun and Gar. I’ll meet you in an hour.”
“Promise?”
“I promise.”
Blue left and Kylar closed the crypt. He found a safe house and loaded up everything he needed, including Retribution, which he had left before he killed the queen, knowing his weapons would be confiscated. He wrote a note to Rimbold Drake, first explaining about the laundress he’d maimed and asking Drake to pay restitution, and then explaining what the Wolf told Kylar he’d cost the Drakes. He grabbed several bags of gold and a few poisons and changes of clothing, took a cloak and pulled the hood over his face.
He found Blue sitting at the intersection. She scrambled to her feet.
“Inside that house lives a good man, Blue. He was poisoned and nearly died during the coup, and the Khalidorans killed his wife and two of his daughters. He’s the best man I know, and I think he might need you as much as you need him. In my note, I’ve asked him to raise you. He’ll give you the only chance you’ll ever have to make something of yourself. But it won’t be easy. If you go in this house, you stay until you walk out a lady. Is that what you want?”
“A lady?” Blue asked, her face lit with impossible yearning.
“Say it.”
“I want to be somebody. I want to be a lady.”
“I believe you.” Kylar put his hand to a crack in the door, sent the ka’kari through, and opened the latch. He opened the door and they walked past the porter’s hut to the front door. Kylar handed a bag full of gold crowns to Blue. It was so heavy she could barely hold it. Then he put the note in her hand and threw back his hood, so she would never doubt that it was him. “Blue, I’m trusting you. I see souls. I weigh them. From yours, I know you’re worth it. Be good to Count Drake. I wasn’t as good to him as he deserved.”
With that, Kylar pounded on the door and went invisible. He waited until the bleary-eyed count opened the door. Rimbold Drake looked at Blue, confused. She was too terrified to speak. After a moment, he took the note from her hand. After he read it, he wept.
Kylar turned to go.
“You were better than you know,” Drake said to the night. “I forgive you any wrong you think you have done me. You will always be welcome here, my son.”
Kylar disappeared into the night. It was where he belonged.
59
After two days, they moved Solon to another room. It was still locked, the windows covered with bars, the cedar door banded with iron, but this room had a view of Whitecliff Castle’s courtyard. The courtyard was decorated in a style fit for the wedding, greens the color of the vines and the seas, and the purples of wine and royalty dominating.
“I don’t know who you are, Pretender,” one of Solon’s guards said. He was a paunchy man with heavy jowls and haphazardly polished armor. “But enjoy the wedding, because it’s the last thing you’ll ever see.”
“Why’s that?” Solon asked.
“Because the Mikaidon wanted his first order as emperor to be your death.”
The other guard, a rail-thin man with a single eyebrow, looked nervous and guilty. “Shut it, Ori. Nysos’ blood, it’s gonna be a bad enough day as it is.” To Solon, he said, “We’ll make it quick, I promise.” He exited, watching Solon for any sudden movement, and locked the door behind himself.
Solon was surprised to find a tub full of water and fresh clothes in the room. He scrubbed himself and donned the clean garments, thinking. Oshobi was already giving orders to Kaede’s guards. That couldn’t be good, but it didn’t necessarily mean what Solon suspected. Solon had never learned how much power Kaede intended to share once she married. When she talked with him two days ago she hadn’t seemed desperate enough to grant Oshobi total power.
It made him feel sick. For the last two days, he’d thought through every option he had, and he couldn’t find anything that would assert his own rights without undermining Kaede’s. He didn’t know what any of the political undercurrents were, so anything he did could have the opposite of the intended effect. But the clean clothes laid out for him, clothing fit for a noble, if not quite royalty, told him that Kaede most likely hadn’t intended him to die today. Was this his chance? Or was she punishing him by forcing him to watch a wedding that she saw as his fault?
Outside, the nobles were gathering in order of precedence, standing as Sethi always stood to witness a wedding. Soon, at least four hundred of them surrounded the platform where the Empress and Emperor-to-be would be wed. Solon could pick out many faces he recognized, and saw a frightening number of absences, too. Had his brother killed so many? How had Sijuron become such a monster without Solon knowing?
The ring of the singing swords announced the beginning of the ceremony. On the platform, the dancers faced each other. Each wore a mask, the man the suitor’s mask, which today was deadly serious. A pubescent boy wore the woman’s mask, today lovely but austere in keeping with the empress’s dignity. Each held a specially shaped hollow sword that would sing in the dance, tones varied by the dancers’ grip and where each struck the other. The swords were pitched at octaves, and the duel—symbolic of the couple’s courtship—was always partly choreographed and partly extemporaneous. It was a perennial favorite, and skilled dancers were the most expensive part of a wedding. The dances, proclaimed sacred to Nysos, ranged from the erotic to the comedic. It was also usually the most anxiety-provoking time of a wedding for the couple. Dancers being the artists they were, there was no guaranteeing they wouldn’t make the man or woman or both look like fools, and the sword dance was often the only thing remembered about the wedding.
The dancers bowed low, but kept their eyes up, as if suspicious of each other, and then they began. For a time as they danced, Solon forgot that he was in a prison. They gave the boy a quick hand for Kaede’s quick tongue, and a wide range. A woman known as a scold might be given a single note for an entire dance, while an excitable man might be given only notes at the extremes of the singing sword. The man playing Oshobi was a huge presence, forceful and manly and, if slower, also stronger than Kaede. Whoever they were, these dancers were incorruptible, unafraid of even a man who would be emperor. In their dance, Solon read the courtship perfectly.
Oshobi had always pursued with a single-minded determination. Kaede weakened early, then rallied for years. Always, Oshobi pursued, and the dancer gave a lightly mocking tone to it that only a skilled eye would have seen. There was the suggestion that Oshobi wanted not Kaede, but that which was behind her—missing opportunities at the woman as he aimed at the throne.
Kaede slowly tired, but the dancers underplayed it, not suggesting that Oshobi beat her into submission, but simply allowing her to slow to his level and make him look more brilliant as he matched and overmatched her, cadences singing together until Oshobi took up Kaede’s line. As the dance wound to a close, Kaede bowed to her knees and spread her arms to take the ceremonial touch over the heart. In apparent haste, the dancer playing Oshobi stepped forward too quickly and slipped, his sword tapped her throat for the barest instant before he righted himself and touched it to her heart.
It was so well done that even Solon believed for a moment that the dancer really had slipped. Everyone took it as that, or decided to take it as that: a slight error in an otherwise flawless performance. They cheered wildly and once the cheering stopped, the betrothed entered.