Not a serious word had reached his ears from the wanton lips of the Lesbian, while Althea at once desired information concerning his art, and showed that she was thoroughly familiar with the works and the aspirations of the Alexandrian sculptors. Although aware that Hermon had begun his career as an artist, and was the leader of a new tendency, she pretended to belong to the old school, and thereby irritated him to contradiction and the explanation of his efforts, which were rooted in the demands of the present day and the life of the flourishing capital.

The Thracian listened to the description of the new art struggling to present truth, as if these things were welcome surprises, grand revelations, for which she had waited with eager longing. True, she opposed every statement hostile to the old beliefs; but her extremely expressive features soon betrayed to him that he was stirring her to reflect, shaking her opinions, and winning her to his side.

Already, for the sake of the good cause, he devoted himself with the utmost zeal to the task of convincing Althea; she, however, did not make it an easy one, but presented clever arguments against his assertions.

Whenever he or she, by way of example, mentioned any well-known work of art, she imitated, as if involuntarily, its pose and action with surprising fidelity, frequently also in admirable caricature, whose effect was extremely comical. What a woman!

She was familiar with whatever Grecian art had created, and the animated conversation became a bewitching spectacle. When the grammateus Proclus, who as Althea's travelling companion had a certain claim upon her attention, mingled for a while in the discussion and attracted Althea's notice, Hermon felt injured, and answered his sensible remarks with such rudeness that the elder man, whose social position was so much higher, angrily turned his back upon him.

Althea had imposed a certain degree of restraint upon herself while talking to the grammateus, but during the further conversation with Hermon she confessed that she was decidedly of his opinion, and added to the old reasons for the deposition of beauty and ideality in favour of truth and reality new ones which surprised the sculptor. When she at last offered him her hand for a firm alliance, his brain was fevered, and it seemed a great honour when she asked eagerly what would occupy him in the immediate future.

Passionate sympathy echoed in every word, was expressed in every feature, and she listened as if a great happiness was in store for herself when he disclosed the hopes which he based upon the statue of Arachne.

True, as time passed he had spoken more than once of the necessity of retiring, and before midnight really tried to depart; but he had fallen under Althea's thrall, and, in reply to her inquiry what must shorten these exquisite hours, had informed her, in significant words, what drew him away, and that his delay threatened him with the loss of a model such as the favour of fate rarely bestowed upon an artist.




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