62
Langdon's progress around his side of the Pantheon was being hampered somewhat by the guide on his heels, now continuing his tireless narration as Langdon prepared to check the final alcove.
"You certainly seem to be enjoying those niches!" the docent said, looking delighted. "Were you aware that the tapering thickness of the walls is the reason the dome appears weightless?"
Langdon nodded, not hearing a word as he prepared to examine another niche. Suddenly someone grabbed him from behind. It was Vittoria. She was breathless and tugging at his arm. From the look of terror on her face, Langdon could only imagine one thing. She found a body. He felt an upswelling of dread.
"Ah, your wife!" the docent exclaimed, clearly thrilled to have another guest. He motioned to her short pants and hiking boots. "Now you I can tell are American!"
Vittoria's eyes narrowed. "I'm Italian."
The guide's smile dimmed. "Oh, dear."
"Robert," Vittoria whispered, trying to turn her back on the guide. "Galileo's Diagramma. I need to see it."
"Diagramma?" the docent said, wheedling back in. "My! You two certainly know your history! Unfortunately that document is not viewable. It is under secret preservation in the Vatican Arc - "
"Could you excuse us?" Langdon said. He was confused by Vittoria's panic. He took her aside and reached in his pocket, carefully extracting the Diagramma folio. "What's going on?"
"What's the date on this thing?" Vittoria demanded, scanning the sheet.
The docent was on them again, staring at the folio, mouth agape. "That's not... really..."
"Tourist reproduction," Langdon quipped. "Thank you for your help. Please, my wife and I would like a moment alone."
The docent backed off, eyes never leaving the paper.
"Date," Vittoria repeated to Langdon. "When did Galileo publish..."
Langdon pointed to the Roman numeral in the lower liner. "That's the pub date. What's going on?"
Vittoria deciphered the number. "1639?"
"Yes. What's wrong?"
Vittoria's eyes filled with foreboding. "We're in trouble, Robert. Big trouble. The dates don't match."
"What dates don't match?"
"Raphael's tomb. He wasn't buried here until 1759. A century after Diagramma was published."
Langdon stared at her, trying to make sense of the words. "No," he replied. "Raphael died in 1520, long before Diagramma."
"Yes, but he wasn't buried here until much later."
Langdon was lost. "What are you talking about?"
"I just read it. Raphael's body was relocated to the Pantheon in 1758. It was part of some historic tribute to eminent Italians."
As the words settled in, Langdon felt like a rug had just been yanked out from under him.
"When that poem was written," Vittoria declared, "Raphael's tomb was somewhere else. Back then, the Pantheon had nothing at all to do with Raphael!"
Langdon could not breathe. "But that... means..."
"Yes! It means we're in the wrong place!"
Langdon felt himself sway. Impossible... I was certain...
Vittoria ran over and grabbed the docent, pulling him back. "Signore, excuse us. Where was Raphael's body in the 1600s?"
"Urb... Urbino," he stammered, now looking bewildered. "His birthplace."
"Impossible!" Langdon cursed to himself. "The Illuminati altars of science were here in Rome. I'm certain of it!"
"Illuminati?" The docent gasped, looking again at the document in Langdon's hand. "Who are you people?"
Vittoria took charge. "We're looking for something called Santi's earthly tomb. In Rome. Can you tell us what that might be?"
The docent looked unsettled. "This was Raphael's only tomb in Rome."
Langdon tried to think, but his mind refused to engage. If Raphael's tomb wasn't in Rome in 1655, then what was the poem referring to? Santi's earthly tomb with demon's hole? What the hell is it? Think!
"Was there another artist called Santi?" Vittoria asked.
The docent shrugged. "Not that I know of."
"How about anyone famous at all? Maybe a scientist or a poet or an astronomer named Santi?"
The docent now looked like he wanted to leave. "No, ma'am. The only Santi I've ever heard of is Raphael the architect."
"Architect?" Vittoria said. "I thought he was a painter!"
"He was both, of course. They all were. Michelangelo, da Vinci, Raphael."
Langdon didn't know whether it was the docent's words or the ornate tombs around them that brought the revelation to mind, but it didn't matter. The thought occurred. Santi was an architect. From there the progression of thoughts fell like dominoes. Renaissance architects lived for only two reasons - to glorify God with big churches, and to glorify dignitaries with lavish tombs. Santi's tomb. Could it be? The images came faster now...
da Vinci's Mona Lisa.
Monet's Water Lilies.
Michelangelo's David.
Santi's earthly tomb...
"Santi designed the tomb," Langdon said.
Vittoria turned. "What?"
"It's not a reference to where Raphael is buried, it's referring to a tomb he designed."
"What are you talking about?"
"I misunderstood the clue. It's not Raphael's burial site we're looking for, it's a tomb Raphael designed for someone else. I can't believe I missed it. Half of the sculpting done in Renaissance and Baroque Rome was for the funeraries." Langdon smiled with the revelation. "Raphael must have designed hundreds of tombs!"
Vittoria did not look happy. "Hundreds?"
Langdon's smile faded. "Oh."
"Any of them earthly, professor?"
Langdon felt suddenly inadequate. He knew embarrassingly little about Raphael's work. Michelangelo he could have helped with, but Raphael's work had never captivated him. Langdon could only name a couple of Raphael's more famous tombs, but he wasn't sure what they looked like.
Apparently sensing Langdon's stymie, Vittoria turned to the docent, who was now inching away. She grabbed his arm and reeled him in. "I need a tomb. Designed by Raphael. A tomb that could be considered earthly."
The docent now looked distressed. "A tomb of Raphael's? I don't know. He designed so many. And you probably would mean a chapel by Raphael, not a tomb. Architects always designed the chapels in conjunction with the tomb."
Langdon realized the man was right.
"Are any of Raphael's tombs or chapels considered earthly?"
The man shrugged. "I'm sorry. I don't know what you mean. Earthly really doesn't describe anything I know of. I should be going."
Vittoria held his arm and read from the top line of the folio. "From Santi's earthly tomb with demon's hole. Does that mean anything to you?"
"Not a thing."
Langdon looked up suddenly. He had momentarily forgotten the second part of the line. Demon's hole? "Yes!" he said to the docent. "That's it! Do any of Raphael's chapels have an oculus in them?"
The docent shook his head. "To my knowledge the Pantheon is unique." He paused. "But..."
"But what!" Vittoria and Langdon said in unison.
Now the docent cocked his head, stepping toward them again. "A demon's hole?" He muttered to himself and picked at his teeth. "Demon's hole... that is... buco di��volo?"
Vittoria nodded. "Literally, yes."
The docent smiled faintly. "Now there's a term I have not heard in a while. If I'm not mistaken, a buco di��volo refers to an undercroft."
"An undercroft?" Langdon asked. "As in a crypt?"
"Yes, but a specific kind of crypt. I believe a demon's hole is an ancient term for a massive burial cavity located in a chapel... underneath another tomb."
"An ossuary annex?" Langdon demanded, immediately recognizing what the man was describing.
The docent looked impressed. "Yes! That is the term I was looking for!"
Langdon considered it. Ossuary annexes were a cheap ecclesiastic fix to an awkward dilemma. When churches honored their most distinguished members with ornate tombs inside the sanctuary, surviving family members often demanded the family be buried together... thus ensuring they too would have a coveted burial spot inside the church. However, if the church did not have space or funds to create tombs for an entire family, they sometimes dug an ossuary annex - a hole in the floor near the tomb where they buried the less worthy family members. The hole was then covered with the Renaissance equivalent of a manhole cover. Although convenient, the ossuary annex went out of style quickly because of the stench that often wafted up into the cathedral. Demon's hole, Langdon thought. He had never heard the term. It seemed eerily fitting.
Langdon's heart was now pounding fiercely. From Santi's earthly tomb with demon's hole. There seemed to be only one question left to ask. "Did Raphael design any tombs that had one of these demon's holes?"
The docent scratched his head. "Actually. I'm sorry... I can only think of one."
Only one? Langdon could not have dreamed of a better response.
"Where!" Vittoria almost shouted.
The docent eyed them strangely. "It's called the Chigi Chapel. Tomb of Agostino Chigi and his brother, wealthy patrons of the arts and sciences."
"Sciences?" Langdon said, exchanging looks with Vittoria.
"Where?" Vittoria asked again.
The docent ignored the question, seeming enthusiastic again to be of service. "As for whether or not the tomb is earthly, I don't know, but certainly it is... shall we say differente."
"Different?" Langdon said. "How?"
"Incoherent with the architecture. Raphael was only the architect. Some other sculptor did the interior adornments. I can't remember who."
Langdon was now all ears. The anonymous Illuminati master, perhaps?
"Whoever did the interior monuments lacked taste," the docent said. "Dio mio! Atrocit��s! Who would want to be buried beneath piramides?"
Langdon could scarcely believe his ears. "Pyramids? The chapel contains pyramids?"
"I know," the docent scoffed. "Terrible, isn't it?"
Vittoria grabbed the docent's arm. "Signore, where is this Chigi Chapel?"
"About a mile north. In the church of Santa Maria del Popolo."
Vittoria exhaled. "Thank you. Let's - "
"Hey," the docent said, "I just thought of something. What a fool I am."
Vittoria stopped short. "Please don't tell me you made a mistake."
He shook his head. "No, but it should have dawned on me earlier. The Chigi Chapel was not always known as the Chigi. It used to be called Capella della Terra."
"Chapel of the Land?" Langdon asked.
"No," Vittoria said, heading for the door. "Chapel of the Earth."
Vittoria Vetra whipped out her cell phone as she dashed into Piazza della Rotunda. "Commander Olivetti," she said. "This is the wrong place!"
Olivetti sounded bewildered. "Wrong? What do you mean?"
"The first altar of science is at the Chigi Chapel!"
"Where?" Now Olivetti sounded angry. "But Mr. Langdon said - "
"Santa Maria del Popolo! One mile north. Get your men over there now! We've got four minutes!"
"But my men are in position here! I can't possibly - "
"Move!" Vittoria snapped the phone shut.
Behind her, Langdon emerged from the Pantheon, dazed.
She grabbed his hand and pulled him toward the queue of seemingly driverless taxis waiting by the curb. She pounded on the hood of the first car in line. The sleeping driver bolted upright with a startled yelp. Vittoria yanked open the rear door and pushed Langdon inside. Then she jumped in behind him.
"Santa Maria del Popolo," she ordered. "Presto!"
Looking delirious and half terrified, the driver hit the accelerator, peeling out down the street.
63
Gunther Glick had assumed control of the computer from Chinita Macri, who now stood hunched in the back of the cramped BBC van staring in confusion over Glick's shoulder.
"I told you," Glick said, typing some more keys. "The British Tattler isn't the only paper that runs stories on these guys."
Macri peered closer. Glick was right. The BBC database showed their distinguished network as having picked up and run six stories in the past ten years on the brotherhood called the Illuminati. Well, paint me purple, she thought. "Who are the journalists who ran the stories," Macri asked. "Schlock jocks?"
"BBC doesn't hire schlock jocks."
"They hired you."
Glick scowled. "I don't know why you're such a skeptic. The Illuminati are well documented throughout history."
"So are witches, UFOs, and the Loch Ness Monster."
Glick read the list of stories. "You ever heard of a guy called Winston Churchill?"
"Rings a bell."
"BBC did a historical a while back on Churchill's life. Staunch Catholic by the way. Did you know that in 1920 Churchill published a statement condemning the Illuminati and warning Brits of a worldwide conspiracy against morality?"
Macri was dubious. "Where did it run? In the British Tattler?"
Glick smiled. "London Herald. February 8, 1920."
"No way."
"Feast your eyes."
Macri looked closer at the clip. London Herald. Feb. 8, 1920. I had no idea. "Well, Churchill was a paranoid."
"He wasn't alone," Glick said, reading further. "Looks like Woodrow Wilson gave three radio broadcasts in 1921 warning of growing Illuminati control over the U.S. banking system. You want a direct quote from the radio transcript?"
"Not really."
Glick gave her one anyway. "He said, 'There is a power so organized, so subtle, so complete, so pervasive, that none had better speak above their breath when they speak in condemnation of it.' "
"I've never heard anything about this."
"Maybe because in 1921 you were just a kid."
"Charming." Macri took the jab in stride. She knew her years were showing. At forty-three, her bushy black curls were streaked with gray. She was too proud for dye. Her mom, a Southern Baptist, had taught Chinita contentedness and self-respect. When you're a black woman, her mother said, ain't no hiding what you are. Day you try, is the day you die. Stand tall, smile bright, and let 'em wonder what secret's making you laugh.
"Ever heard of Cecil Rhodes?" Glick asked.
Macri looked up. "The British financier?"
"Yeah. Founded the Rhodes Scholarships."
"Don't tell me - "
"Illuminatus."
"BS."
"BBC, actually. November 16, 1984."
"We wrote that Cecil Rhodes was Illuminati?"
"Sure did. And according to our network, the Rhodes Scholarships were funds set up centuries ago to recruit the world's brightest young minds into the Illuminati."
"That's ridiculous! My uncle was a Rhodes Scholar!"
Glick winked. "So was Bill Clinton."
Macri was getting mad now. She had never had tolerance for shoddy, alarmist reporting. Still, she knew enough about the BBC to know that every story they ran was carefully researched and confirmed.
"Here's one you'll remember," Glick said. "BBC, March 5, 1998. Parliament Committee Chair, Chris Mullin, required all members of British Parliament who were Masons to declare their affiliation."
Macri remembered it. The decree had eventually extended to include policemen and judges as well. "Why was it again?"
Glick read. "... concern that secret factions within the Masons exerted considerable control over political and financial systems."
"That's right."
"Caused quite a bustle. The Masons in parliament were furious. Had a right to be. The vast majority turned out to be innocent men who joined the Masons for networking and charity work. They had no clue about the brotherhood's past affiliations."
"Alleged affiliations."
"Whatever." Glick scanned the articles. "Look at this stuff. Accounts tracing the Illuminati back to Galileo, the Guerenets of France, the Alumbrados of Spain. Even Karl Marx and the Russian Revolution."
"History has a way of rewriting itself."
"Fine, you want something current? Have a look at this. Here's an Illuminati reference from a recent Wall Street Journal."
This caught Macri's ear. "The Journal?"
"Guess what the most popular Internet computer game in America is right now?"
"Pin the tail on Pamela Anderson."
"Close. It's called, Illuminati: New World Order."
Macri looked over his shoulder at the blurb. "Steve Jackson Games has a runaway hit... a quasi-historical adventure in which an ancient satanic brotherhood from Bavaria sets out to take over the world. You can find them on-line at..." Macri looked up, feeling ill. "What do these Illuminati guys have against Christianity?"
"Not just Christianity," Glick said. "Religion in general." Glick cocked his head and grinned. "Although from the phone call we just got, it appears they do have a special spot in their hearts for the Vatican."
"Oh, come on. You don't really think that guy who called is who he claims to be, do you?"
"A messenger of the Illuminati? Preparing to kill four cardinals?" Glick smiled. "I sure hope so."