They hurried home through a world of black and grey. He conversed on indifferent topics: the Emersons' need of a housekeeper; servants; Italian servants; novels about Italy; novels with a purpose; could literature influence life? Windy Corner glimmered. In the garden, Mrs. Honeychurch, now helped by Freddy, still wrestled with the lives of her flowers.

"It gets too dark," she said hopelessly. "This comes of putting off. We might have known the weather would break up soon; and now Lucy wants to go to Greece. I don't know what the world's coming to."

"Mrs. Honeychurch," he said, "go to Greece she must. Come up to the house and let's talk it over. Do you, in the first place, mind her breaking with Vyse?"

"Mr. Beebe, I'm thankful--simply thankful."

"So am I," said Freddy.

"Good. Now come up to the house."

They conferred in the dining-room for half an hour.

Lucy would never have carried the Greek scheme alone. It was expensive and dramatic--both qualities that her mother loathed. Nor would Charlotte have succeeded. The honours of the day rested with Mr. Beebe. By his tact and common sense, and by his influence as a clergyman--for a clergyman who was not a fool influenced Mrs. Honeychurch greatly--he bent her to their purpose, "I don't see why Greece is necessary," she said; "but as you do, I suppose it is all right. It must be something I can't understand. Lucy! Let's tell her. Lucy!"

"She is playing the piano," Mr. Beebe said. He opened the door, and heard the words of a song: "Look not thou on beauty's charming."

"I didn't know that Miss Honeychurch sang, too."

"Sit thou still when kings are arming, Taste not when the wine-cup glistens--"

"It's a song that Cecil gave her. How odd girls are!"

"What's that?" called Lucy, stopping short.

"All right, dear," said Mrs. Honeychurch kindly. She went into the drawing-room, and Mr. Beebe heard her kiss Lucy and say: "I am sorry I was so cross about Greece, but it came on the top of the dahlias."

Rather a hard voice said: "Thank you, mother; that doesn't matter a bit."

"And you are right, too--Greece will be all right; you can go if the Miss Alans will have you."

"Oh, splendid! Oh, thank you!"

Mr. Beebe followed. Lucy still sat at the piano with her hands over the keys. She was glad, but he had expected greater gladness. Her mother bent over her. Freddy, to whom she had been singing, reclined on the floor with his head against her, and an unlit pipe between his lips. Oddly enough, the group was beautiful. Mr. Beebe, who loved the art of the past, was reminded of a favourite theme, the Santa Conversazione, in which people who care for one another are painted chatting together about noble things--a theme neither sensual nor sensational, and therefore ignored by the art of to-day. Why should Lucy want either to marry or to travel when she had such friends at home?




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