Making this discovery, I took out the fragments, down to the smallest morsel of the shattered china, and examined them carefully one after another.
I was too ignorant of the subject to be able to estimate the value of the vase or the antiquity of the vase, or even to know whether it were of British or of foreign manufacture. The ground was of a delicate cream-color. The ornaments traced on this were wreaths of flowers and Cupids surrounding a medallion on either side of the vase. Upon the space within one of the medallions was painted with exquisite delicacy a woman's head, representing a nymph or a goddess, or perhaps a portrait of some celebrated person--I was not learned enough to say which. The other medallion inclosed the head of a man, also treated in the classical style. Reclining shepherds and shepherdesses in Watteau costume, with their dogs and their sheep, formed the adornments of the pedestal. Such had the vase been in the days of its prosperity, when it stood on the top of the book-case. By what accident had it become broken? And why had Major Fitz-David's face changed when he found that I had discovered the remains of his shattered work of art in the cabinet drawer?
The remains left those serious questions unanswered--the remains told me absolutely nothing. And yet, if my own observation of the Major were to be trusted, the way to the clew of which I was in search lay, directly or indirectly, through the broken vase.
It was useless to pursue the question, knowing no more than I knew now. I returned to the book-case.
Thus far I had assumed (without any sufficient reason) that the clew of which I was in search must necessarily reveal itself through a written paper of some sort. It now occurred to me--after the movement which I had detected on the part of the Major--that the clew might quite as probably present itself in the form of a book.
I looked along the lower rows of shelves, standing just near enough to them to read the titles on the backs of the volumes. I saw Voltaire in red morocco, Shakespeare in blue, Walter Scott in green, the "History of England" in brown, the "Annual Register" in yellow calf. There I paused, wearied and discouraged already by the long rows of volumes. How (I thought to myself) am I to examine all these books? And what am I to look for, even if I do examine them all?
Major Fitz-David had spoken of a terrible misfortune which had darkened my husband's past life. In what possible way could any trace of that misfortune, or any suggestive hint of something resembling it, exist in the archives of the "Annual Register" or in the pages of Voltaire? The bare idea of such a thing seemed absurd The mere attempt to make a serious examination in this direction was surely a wanton waste of time.