Then Cornelia moved across the hollow blackness of the room. She was

sunshiny no longer, but morose and stern; her eyebrows were drawn

together; a secret defiance was in her tigerish eyes; her lips were set,

yet seemed, ever and anon, as she turned her face aside, to tremble

with a passionate yearning. As he gazed, she disappeared, but the

professor had a feeling that she was still concealed somewhere in the

darkness. And, at last, she came again--she, or something that looked

like her. The old gentleman shivered and recoiled, as though a

snow-drift had somehow blown into his warm, old heart. Was it his

daughter who looked with those unmeaning eyes, encircled with dark

rings, in which life and passion burned out had left the dull ashes of

remorse and hopelessness? Where were the luminous cheeks and the queenly

step of his proud and beautiful Cornelia?--What words were those? or was

it only fancy?--Ah!--The professor started with a sharp exclamation: but

he was alone in his dark study, and the phantom of Cornelia was gone.

He composed himself in his chair again, and, presently, a third figure

grew into form and color before him. At first, as a stately young girl,

with the arched feet and hot blood of the south, and her eyes dark and

soft as a Spaniard's; but her beauty lasted but for a moment. A

withering change came over face and figure: she was cold and hard; her

youthful ardor, warmth, and freshness, had been shrivelled up or worn

away. The rich black hair grew rusty, and the dark, delicate complexion

became dull and lustreless. Nevertheless, the professor continued to

look with hopeful expectation, confident that a further alteration would

ensue, which, though, it would not restore the grace of youth, would

give a peace and happiness yet more beautiful. And, indeed, it seemed,

for a moment, as though his expectation would be gratified. The figure

raised its head, and held forth its hands, and the professor's bright

anticipation was reflected in its eyes. But, alas! the brightness faded

almost before it could be affirmed to exist. The hands dropped to the

sides, the head was averted, and the whole form shrank back, and sank to

the ground. For the third time--the professor's imagination was

certainly playing him strange tricks this evening--the ghost of spoken

words appeared to fall upon his ears, and sink like molten lead into his

heart. He groaned, and there was an oppression on his chest, so that he

struggled for breath; but, in another moment, the crouching figure was

gone, and the oppression with it; but drops of sweat stood upon the old

man's broad forehead.

Still another vision awaits him, however, and he draws himself up

sternly to encounter it, and a heavy frown lowers on his thick gray

eyebrows. But the lofty form which confronts him, massive and stalwart,

alike in mind and body, meets his gaze unflinchingly, and frowns back in

angry defiance. The old professor pauses in his intended denunciation,

being taken aback somewhat, at the unexpected counter-accusation which

strikes out at him from the young man's eyes. Yet do his self-confidence

and indignation become reconfirmed, for there, behind, the three former

phantoms appear together, and seem to launch against the last a deadly

shaft of bitter reproach and judgment. The professor watches it cleave a

passage through the stalwart figure's heart, and he bows his head, and

thinks--it is but justice! In the same instant, a cry of intensest pain

and horror escapes him: the deadly arrow, additionally poisoned by the

blood it has just shed, has passed quite through the spectre of his

former pupil, and is buried up to the feather in Professor Valeyon's

own vitals! This shock effectually wakened the old gentleman--for, after

all, he had only been having an uneasy nap in his straight-backed

chair!--and he started to his feet, and fumbled nervously for the

match-box. Just then, Sophie appeared at the door with a lamp in her

hand--the real Sophie, this time--no intangible shadow.




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