Women in Love

They turned off the main road, past a black patch of common-garden,

where sooty cabbage stumps stood shameless. No one thought to be

ashamed. No one was ashamed of it all.

'It is like a country in an underworld,' said Gudrun. 'The colliers

bring it above-ground with them, shovel it up. Ursula, it's marvellous,

it's really marvellous--it's really wonderful, another world. The

people are all ghouls, and everything is ghostly. Everything is a

ghoulish replica of the real world, a replica, a ghoul, all soiled,

everything sordid. It's like being mad, Ursula.' The sisters were crossing a black path through a dark, soiled field. On

the left was a large landscape, a valley with collieries, and opposite

hills with cornfields and woods, all blackened with distance, as if

seen through a veil of crape. White and black smoke rose up in steady

columns, magic within the dark air. Near at hand came the long rows of

dwellings, approaching curved up the hill-slope, in straight lines

along the brow of the hill. They were of darkened red brick, brittle,

with dark slate roofs. The path on which the sisters walked was black,

trodden-in by the feet of the recurrent colliers, and bounded from the

field by iron fences; the stile that led again into the road was rubbed

shiny by the moleskins of the passing miners. Now the two girls were

going between some rows of dwellings, of the poorer sort. Women, their

arms folded over their coarse aprons, standing gossiping at the end of

their block, stared after the Brangwen sisters with that long,

unwearying stare of aborigines; children called out names.

Gudrun went on her way half dazed. If this were human life, if these

were human beings, living in a complete world, then what was her own

world, outside? She was aware of her grass-green stockings, her large

grass-green velour hat, her full soft coat, of a strong blue colour.

And she felt as if she were treading in the air, quite unstable, her

heart was contracted, as if at any minute she might be precipitated to

the ground. She was afraid.

She clung to Ursula, who, through long usage was inured to this

violation of a dark, uncreated, hostile world. But all the time her

heart was crying, as if in the midst of some ordeal: 'I want to go

back, I want to go away, I want not to know it, not to know that this

exists.' Yet she must go forward.

Ursula could feel her suffering.

'You hate this, don't you?' she asked.

'It bewilders me,' stammered Gudrun.

'You won't stay long,' replied Ursula.

And Gudrun went along, grasping at release.

They drew away from the colliery region, over the curve of the hill,

into the purer country of the other side, towards Willey Green. Still

the faint glamour of blackness persisted over the fields and the wooded

hills, and seemed darkly to gleam in the air. It was a spring day,

chill, with snatches of sunshine. Yellow celandines showed out from the

hedge-bottoms, and in the cottage gardens of Willey Green,

currant-bushes were breaking into leaf, and little flowers were coming

white on the grey alyssum that hung over the stone walls.