V is for Vengeance

He was silent for a moment, and she could see him struggle to frame his response. “I can appreciate your concern, but this isn’t the time to bail out. I’d have to advise against anything so precipitant. It’s not smart.”

“Fine. You’ve advised me. You can transfer the money to my Wells Fargo account in Santa Teresa. Minus your commission, of course.”

“Perhaps you’re having problems,” he said, too proper to ask outright.

“Perhaps, but not of the sort you imagine.”

“Because you know you can talk to me if there’s anything amiss. I’m in your camp.”

“I appreciate your loyalty.”

“Is this coming from Channing?”

“Please, Mark. Just do what I’ve asked. Put in the sell orders and let me know when everything’s cleared.”

In the car, driving north along Pacific Coast Highway from Santa Monica, she lowered the window and let her hair blow around her face. She hadn’t realized her intention until she spoke of it aloud. She liked the idea of having all that cash on hand . . . should the need arise. She wasn’t thinking about what might happen in the coming weeks. She wasn’t thinking of packing or of meeting Dante at the airport or of getting on a plane. All those actions lay beyond the realm of propriety, personal dignity, and common sense. But what if, at the last minute, she should change her mind? What if what seemed so impossible right now became imperative to her sense of herself? She needed to be prepared should the need arise. That’s how she thought of it. Should the need arise. That notion was the motivation for her stopping by the bank to empty her safe-deposit box before she’d left for Santa Monica that morning. It was the reason she’d kept her passport with her this past week, relieved the expiration date was still six years hence. Should the need arise had her counting the cash she had on hand, tucking her good jewelry in her handbag. If she didn’t go anywhere—which she probably wouldn’t—then what had she really lost? The cash would go back in the bank and she’d use the money she’d netted from the sale of her stocks to buy into the market again.

Turning right off PCH, she began the long, twisted ascent to the house. Set against a wide, pale blue sky, she could see four enormous birds circling, wings outstretched, silver flight feathers visible as they rode the thermal currents. If there were ever an act she envied, it would be the graceful gliding of such birds, soaring without effort, sailing on the wind, the land spread out beneath them as they lifted and wheeled. It would be quiet up there, peaceful, and the ocean would go on for miles.

She kept an eye on them, wondering what had drawn them to the mountain. As the road wound upward, she realized they were larger than she’d first thought, turkey vultures by the look of them, with six-foot wingspans. She’d seen them up close on occasion, tearing at carcasses on the road, their featherless heads and necks red and scaly-looking. They had a reputation for being gentle and efficient, nature’s humble servants cleaning up carrion. Being bald, they could plunge their heads deep inside a carcass to get at the rich inner meat.

She turned into the driveway and left her car on the parking pad. She’d expected to see Mr. Ishiguro’s pickup truck with its cargo of rakes and brooms. The housecleaning crew had come and gone. She saw the bulging bags of trash they’d discarded in their wake. The vultures were directly overhead, like fast-moving clouds that blotted the sunlight. One vulture had settled on top of a garbage can, and he fixed her with a look, his posture hunched and cunning. The vulture hissed at her and launched itself laboriously, with a noisy flap of its wings. She opened the lid of the garbage can and recoiled from the stench and the swarm of flies. Mr. Ishiguro had discarded a rotting chicken carcass. Nora banged down the lid, hand against her mouth as though to shield herself from the repulsive clot of flesh.

Channing said he’d bait the leg-hold traps with chicken carcasses, but how many had he set? Taped to the glass in the back door, she found an envelope that contained the receipts for three traps Mr. Ishiguro had purchased. The chicken carcasses he must have acquired without charge. She unlocked the back door and tossed her handbag and the envelope on the counter. She flipped off her sandals and found a pair of running shoes she pulled on without socks. She grabbed two pieces of firewood and went out the back door again. She pushed through the gate in the retaining wall and set off along the fire path, her gaze raking the landscape for signs of a trap. She found the first in a tangle of brush that Mr. Ishiguro had apparently used to disguise the heavy iron jaws of the device. The carcass was still there, and she used one piece of firewood to trip the mechanism. The jaw snapped shut and broke the four-inch-thick branch in half, sending the pieces flying past her face. Nora jumped, shrieking, and then set off again, nimbly avoiding the paddle cactus that threatened her on all sides. She found nothing more on that narrow dirt lane, and when she reached an intersecting path, she eased down along the incline, hoping she wouldn’t fall.