Uarda

On the right side of this plot of ground rose the one-storied dwelling house, its length stretching into distant perspective, as it consisted of a single row of living and bedrooms. Almost every room had its own door, that opened into a veranda supported by colored wooden columns, and which extended the whole length of the garden side of the house. This building was joined at a right angle by a row of store-rooms, in which the garden-produce in fruits and vegetables, the wine-jars, and the possessions of the house in woven stuffs, skins, leather, and other property were kept.

In a chamber of strong masonry lay safely locked up the vast riches accumulated by Paaker's father and by himself, in gold and silver rings, vessels and figures of beasts. Nor was there lack of bars of copper and of precious stones, particularly of lapis-lazuli and malachite.

In the middle of the garden stood a handsomely decorated kiosk, and a chapel with images of the Gods; in the background stood the statues of Paaker's ancestors in the form of Osiris wrapped in mummy-cloths.

[The justified dead became Osiris; that is to say, attained to the fullest union (Henosis) with the divinity.] The faces, which were likenesses, alone distinguished these statues from each other.

The left side of the store-yard was veiled in gloom, yet the moonlight revealed numerous dark figures clothed only with aprons, the slaves of the king's pioneer, who squatted on the ground in groups of five or six, or lay near each other on thin mats of palm-bast, their hard beds.

Not far from the gate, on the right side of the court, a few lamps lighted up a group of dusky men, the officers of Paaker's household, who wore short, shirt-shaped, white garments, and who sat on a carpet round a table hardly two feet high. They were eating their evening-meal, consisting of a roasted antelope, and large flat cakes of bread. Slaves waited on them, and filled their earthen beakers with yellow beer. The steward cut up the great roast on the table, offered the intendant of the gardens a piece of antelope-leg, and said: [The Greeks and Romans report that the Egyptians were so addicted to satire and pungent witticisms that they would hazard property and life to gratify their love of mockery. The scandalous pictures in the so-called kiosk of Medinet Habu, the caricatures in an indescribable papyrus at Turin, confirm these statements. There is a noteworthy passage in Flavius Vopiscus, that compares the Egyptians to the French.] "My arms ache; the mob of slaves get more and more dirty and refractory."