Uarda

During the events we have described the house of the charioteer Mena had not remained free from visitors.

It resembled the neighboring estate of Paaker, though the buildings were less new, the gay paint on the pillars and walls was faded, and the large garden lacked careful attention. In the vicinity of the house only, a few well-kept beds blazed with splendid flowers, and the open colonnade, which was occupied by Katuti and her daughter, was furnished with royal magnificence.

The elegantly carved seats were made of ivory, the tables of ebony, and they, as well as the couches, had gilt feet. The artistically worked Syrian drinking vessels on the sideboard, tables, and consoles were of many forms; beautiful vases full of flowers stood everywhere; rare perfumes rose from alabaster cups, and the foot sank in the thick pile of the carpets which covered the floor.

And over the apparently careless arrangement of these various objects there reigned a peculiar charm, an indescribably fascinating something.

Stretched at full-length on a couch, and playing with a silky-haired white cat, lay the fair Nefert--fanned to coolness by a negro-girl--while her mother Katuti nodded a last farewell to her sister Setchem and to Paaker.

Both had crossed this threshold for the first time for four years, that is since the marriage of Mena with Nefert, and the old enmity seemed now to have given way to heartfelt reconciliation and mutual understanding.

After the pioneer and his mother had disappeared behind the pomegranate shrubs at the entrance of the garden, Katuti turned to her daughter and said: "Who would have thought it yesterday? I believe Paaker loves you still."

Nefert colored, and exclaimed softly, while she hit the kitten gently with her fan-"Mother!"

Katuti smiled.

She was a tall woman of noble demeanor, whose sharp but delicately-cut features and sparkling eyes could still assert some pretensions to feminine beauty. She wore a long robe, which reached below her ankles; it was of costly material, but dark in color, and of a studied simplicity. Instead of the ornaments in bracelets, anklets, ear and finger-rings, in necklaces and clasps, which most of the Egyptian ladies--and indeed her own sister and daughter--were accustomed to wear, she had only fresh flowers, which were never wanting in the garden of her son-in-law. Only a plain gold diadem, the badge of her royal descent, always rested, from early morning till late at night, on her high brow--for a woman too high, though nobly formed--and confined the long blue-black hair, which fell unbraided down her back, as if its owner contemned the vain labor of arranging it artistically. But nothing in her exterior was unpremeditated, and the unbejewelled wearer of the diadem, in her plain dress, and with her royal figure, was everywhere sure of being observed, and of finding imitators of her dress, and indeed of her demeanor.