Truxton King

Then the Duke of Perse resumed his residence in Edelweiss, opening the old palace once more to the world. His daughter, after the death of the Princess, began her extended visits to the home of her girlhood. So long as the Princess was alive she remained away from Edelweiss, reluctant to meet the friend who had banished her husband long before the wedding day in Buda Pesth. Now she came frequently and stayed for weeks at a time, apparently happy during these escapes from life in the great capitals. Here, at least, she was free from the grim old man whose countess she was; here, all was sweet and warm and friendly, delicious contrast to the cold, bitter life she knew on the Danube.

Without warning she came and without farewells she left Edelweiss on the occasion of these periodical visits. No word was ever spoken concerning her husband, except on the rare occasions when she opened her heart to the father who had bartered her into slavery for the sake of certain social franchises that the Iron Count had at his disposal. The outside world, which loved her, never heard of these bitter passages between father and child. Like Cinderella, she sometimes disappeared from joyous things at midnight; the next heard of her, she was in Vienna, or at Schloss Marlanx.

If the Duke of Perse repented of his bargain in giving his daughter to the Iron Count, he was never known to intimate as much. He loved Ingomede in his own, hard way. No doubt he was sorry for her. It is a fact that she was sorry for him. She could read his bitter thoughts more clearly than he suspected.

Of late she came more frequently to Edelweiss than before. She was seen often at the Castle; no court function was complete without the presence of this lovely noblewoman; no salon worth while unless graced by her wit and her beauty.

John Tullis was always to remember the moment when he looked upon this exquisite creature for the first time. That was months ago. After that he never ceased being a secret, silent worshipper at her transient shrine.

Ten o'clock on this rainy night: A carriage has drawn up before the lower gates to the Perse grounds, and a tall, shadowy figure leaves it to hurry through the shrub lined walks to the massive doors. A watchman in the garden salutes him. The tall figure dips his umbrella in response, characteristically laconic. A footman lifts his hand to his forelock at the top of the steps and throws open the doors without question. This visitor is expected, it is plain to be seen; a circumstance which may or may not explain the nervousness that attends him as he crosses the broad hall toward the library.