The Warded Man
Page 89Rojer’s eyes flicked to Arrick, who was drawing hard on his wineskin. He had hoped that his master, who had slept in portable circles before, might be calm, but the fear in Arrick’s eyes said differently. With a shaking hand, Rojer reached into his secret pocket and took out his talisman, gripping it tightly.
The wood demon lowered its horns and charged, and something surfaced in Rojer’s mind, a memory long suppressed. Suddenly he was three years old, watching over his mother’s shoulder as death approached.
It all came back to him in that instant. His father taking up the poker and standing his ground with Geral to buy time for his mother and Arrick to escape with him. Arrick shoving them aside as he ran to the bolt-hole. The bite that took his fingers. His mother’s sacrifice.
I love you!
Rojer gripped the talisman, and felt his mother’s spirit around him like a physical presence. He trusted it to protect him more than the wards as the coreling bore down on them.
The demon struck the wards hard. Rojer and Arrick both jumped as the magic flared. Geral’s web was etched in silver fire in the air for a brief instant, and the coreling was thrown back, stunned.
Relief was short-lived. The sound and light drew the attention of other woodies, and they charged in turn, testing the net from all sides.
But Geral’s lacquered wards held fast. One by one or in groups, the wood demons were thrown back, forced to circle angrily, searching in vain for weaknesses.
But even as corelings continued to throw themselves at him, Rojer’s mind was in another place. Again and again he saw his parents die, his father burned and his mother drowning the flame demon before shoving him into the bolt-hole. And over and over, he saw Arrick shove them aside.
Arrick had killed his mother. As surely as if he had done the deed himself. Rojer brought the talisman to his lips, kissing her red hair.
At any other time, Rojer would have felt a stab of panic at his talisman’s discovery, but he was in a different place now, reliving a nightmare and desperately trying to sort out what it meant. Arrick had been like a father to him for over ten years. Could these memories really be true?
He opened his hand, letting Arrick see the tiny wooden doll with its bright red hair. “My mum,” he said.
Arrick looked sadly at the doll, and something in his expression told Rojer all he needed to know. His memory was true. Angry words came to Rojer’s lips, and he tensed, ready to charge his master, throw him from the circle and let the corelings have him.
Arrick lowered his eyes and cleared his throat, beginning to sing. His voice, soured by years of drink, took on something of its old sweetness as he sang a soft lullaby, one that tickled Rojer’s memory just as the sight of the wood demon had. Suddenly he remembered how Arrick had held him in the very circle they now sat in, singing the same lullaby as Riverbridge burned.
Like his talisman, the song wrapped itself around Rojer, reminding him how safe it had made him feel that night. Arrick had been a coward, it was true, but he had honored Kally’s request to take care of him, though it had cost him his royal commission and ruined his career.
He tucked his talisman away in its secret pocket and stared out into the night as images over a decade old flashed in his mind and he tried desperately to make sense of them.
Eventually, Arrick’s singing trailed off, and Rojer pulled himself from contemplation and fetched their cooking utensils. They fried sausages and tomatoes in a small skillet, eating them with hard, crusty bread. After supper, they practiced. Rojer took out his fiddle, and Arrick wet his lips with the last drops from his wineskin. They faced one another, doing their best to ignore the corelings stalking about the circle.
Rojer began to play, and all his doubts and fears fell away as the vibration of the strings became his world. He caressed a melody forth, and nodded when he was ready. Arrick joined him with a soft hum, waiting for another nod before beginning to sing. They played thus for some time, falling into a comfortable harmony honed by years of practice and performance. Much later, Arrick broke off suddenly, looking around.
“What is it?” Rojer asked.
Rojer stopped playing, looking out into the night. It was true, he realized, wondering how he hadn’t noticed it before. The wood demons were crouched about the circle, motionless, but as Rojer met the eyes of one, it sprang at him.
Rojer screamed and fell back as the coreling struck the wards and was repelled. All around them the magic flared as the rest of the creatures shook off their daze and attacked.
“It was the music!” Arrick said. “The music held them back!”
Seeing the confused look on the boy’s face, Arrick cleared his throat, and began to sing.
His voice was strong, and carried far down the road, drowning out the demon roars with its beautiful sound, but it did nothing to keep the demons at bay. On the contrary, the corelings shrieked all the louder and clawed at the barrier, as if desperate to silence him.
Arrick’s thick eyebrows furrowed, and he changed tune, singing the last song he and Rojer had been practicing, but the corelings still swiped at the wards. Rojer felt a stab of fear. What if the demons found a weakness in the wards, like they had …
“The fiddle, boy!” Arrick called. Rojer looked dumbly down at the fiddle and bow still clutched in his hands. “Play it, fool!” Arrick commanded.
But Rojer’s crippled hand shook, and the bow touched string with a piercing whine, like fingernails on slate. The corelings shrieked, and backed a step away. Emboldened, Rojer played more jarring and sour notes, driving the demons farther and farther off. They howled and put clawed hands to their heads as if in pain.
But they did not flee. The demons backed away from the circle slowly until they found a tolerable distance. There they waited, black eyes reflecting the firelight.
Arrick had not been exaggerating when he said they would be treated as heroes in the hamlets. The people of Cricket Run had no Jongleurs of their own, and many remembered Arrick from his time as the duke’s herald, a decade gone.
There was a small inn for housing cattle drivers and produce farmers heading to and from Woodsend and Shepherd’s Dale, and they were welcomed there and given free room and board. The whole town showed up to watch them perform, drinking enough ale to more than repay the innkeep. In fact, everything went flawlessly, until it came time to pass the hat.
“An ear of corn!” Arrick shouted, shaking it in Rojer’s face. “Whar we sposa to do wi’that?”
“We could always eat it,” Rojer offered. His master glared at him and continued to pace.
Rojer had liked Cricket Run. The people there were simple and good-hearted, and knew how to enjoy life. In Angiers, crowds pressed close to hear his fiddle, nodding and clapping, but he had never seen folk so quick to dance as the Runners. Before his fiddle was halfway from its case, they were backing up, making room. Before long, they were reeling and spinning and laughing uproariously, embracing his music fully and flowing wherever it took them.
They cried without shame at Arrick’s sad ballads, and laughed hysterically at their bawdy jokes and mummery. They were, in Rojer’s estimation, everything one could ask in an audience.