The Vampire Lestat (The Vampire Chronicles #2)

14

When I opened my eyes I had an idea. It came full blown to me, and it immediately obsessed me so that I was scarcely conscious of the thirst I felt, of the sting in my veins.

"Vanity," I whispered. But it had an alluring beauty to it, the idea.

No, forget about it. Marius said to stay away from the sanctuary, and besides he will be back at midnight and then you can present the idea to him. And he can ... what? Sadly shake his head.

I came out in the house and all was as it had been the night before, candles burning, windows open to the soft spectacle of the dying light. It didn't seem possible that I would leave here soon. And that I would never come back to it, that he himself would vacate this extraordinary place.

I felt sorrowful and miserable, And then there was the idea.

Not to do it in his presence, but silently and secretly so that I did not feel foolish, to go all alone.

No. Don't do it. After all, it won't do any good. Nothing will happen when you do it.

But if that's the case, why not do it? Why not do it now?

I made my rounds again, through the library and the galleries and the room full of birds and monkeys, and on into other chambers where I had not been.

But that idea stayed in my head. And the thirst nagged at me, making me just a little more impulsive, a little more restless, a little less able to reflect on all the things Marius had told me and what they might mean as time went on.

He wasn't in the house. That was certain. I had been finally through all the rooms. Where he slept was his secret, and I knew there were ways to get in and out of the house that were his secret as well.

But the door to the stairway down to Those Who Must Be Kept, that I discovered again easily enough. And it wasn't locked.

I stood in the wallpapered salon with its polished furniture looking at the clock. Only seven in the evening, five hours till he came back. Five hours of the thirst burning in me. And the idea ... The idea.

I didn't really decide to do it. I just turned my back on the clock and started walking back to my room. I knew that hundreds of others before me must have had such ideas. And how well he had described the pride he felt when he thought he could rouse them. That he might make them move.

No. I just want to do it, even if nothing happens, which is exactly how it will go. I just want to go down there alone and do it. It has something to do with Nicki maybe. I don't know. I don't know!

I went into my chamber and in the incandescent light rising from the sea, I unlocked the violin case and I looked at the Stradivarius violin.

Of course I didn't know how to play it, but we are powerful mimics. As Marius said, we have superior concentration and superior skills. And I had seen Nicki do it so often.

I tightened the bow now and rubbed the horsehair with the little piece of resin, as I had seen him do.

Only two nights ago, I couldn't have thought of the idea of touching this thing. Hearing it would have been pure pain.

Now I took it out of its case and I carried it through the house, the way I'd carried it to Nicki through the wings of the Theater of the Vampires, and not even thinking of vanity, I rushed faster and faster towards the door to the secret stairs.

It was as if they were drawing me to them, as if I had no will. Marius didn't matter now. Nothing much mattered, except to be going down the narrow damp stone steps faster and faster, past the windows full of sea spray and early evening light.

In fact, my infatuation was getting so strong, so total that I stopped suddenly, wondering if it was originating with me. But that was foolishness. Who could have put it in my head? Those Who Must Be Kept? Now that was real vanity, and besides, did these creatures know what this strange, delicate little wooden instrument was?

It made a sound, did it not, that no one had ever heard in the ancient world, a sound so human and so powerfully affecting that men thought the violin the work of the devil and accused its finest players of being possessed.

I was slightly dizzy, confused.

How had I gotten so far down the steps, and didn't I remember that the door was bolted from inside? Give me another five hundred years and I might be able to open that bolt, but not just now.

Yet I went on down, these thoughts breaking up and disintegrating as fast as they'd come. I was on fire again, and the thirst was making it worse, though the thirst had nothing to do with it.

And when I came round the last turn I saw the doors to the chapel were open wide. The light of the lamps poured out into the stairwell. And the scent of the flowers and incense was suddenly overwhelming and made a knot in my throat.

I drew nearer, holding the violin with both hands to my chest, though why I didn't know. And I saw that the tabernacle doors were open, and there they sat.

Someone had brought them more flowers. Someone had laid out the incense in cakes on golden plates.

And I stopped just inside the chapel, and I looked at their faces and they seemed as before to look directly at me.

White, so white I could not imagine them bronzed, and as hard, it seemed, as the jewels they wore. Snake bracelet around her upper arm. Layered necklace on her breast. Tiniest lip of flesh from his chest covering the top of the clean linen shirt he wore.

Her face was narrower than his face, her nose just a little longer. His eyes were slightly longer, the folds of flesh defining them a little thicker. Their long black hair was very much the same.

I was breathing uneasily. I felt suddenly weak and let the scent of the flowers and the incense fill my lungs.

The light of the lamps danced in a thousand tiny specks of gold in the murals.

I looked down at the violin and tried to remember my idea, and I ran my fingers along the wood and wondered what this thing looked like to them.

In a hushed voice I explained what it was, that I wanted them to hear it, that I didn't really know how to play it but that I was going to try. I wasn't speaking loud enough to hear myself, but surely they could hear it if they chose to listen.

And I lifted the violin to my shoulder, braced it under my chin, and lifted the bow. I closed my eyes and I remembered music, Nicki's music, the way that his body had moved with it and his fingers came down with the pressure of hammers and he let the message travel to his fingers from his soul.

I plunged into it, the music suddenly wailing upwards and rippling down again as my fingers danced. It was a song, all right, I could make a song. The tones were pure and rich as they echoed off the close walls with a resounding volume, creating the wailing beseeching voice that only the violin can make. I went madly on with it, rocking back and forth, forgetting Nicki, forgetting everything but the feel of my fingers stabbing at the soundboard and the realization that I was making this, this was coming out of me, and it plummeted and climbed and overflowed ever louder and louder as I bore down upon it with the frantic sawing of the bow.

I was singing with it, I was humming and then singing loudly, and all the gold of the little room was a blur. And suddenly it seemed my own voice became louder, inexplicably louder, with a pure high note which I knew that I myself could not possibly sing. Yet it was there, this beautiful note, steady and unchanging and growing even louder until it was hurting my ears. I played harder, more frantically, and I heard my own gasps coming, and I knew suddenly that I was not the one making this strange high note!

The blood was going to come out of my ears if the note did not stop. And I wasn't making the note! Without stopping the music, without giving in to the pain that was splitting my head, I looked forward and I saw Akasha had risen and her eyes were very wide and her mouth was a perfect O. The sound was coming from her, she was making it, and she was moving off the steps of the tabernacle towards me with her arms outstretched and the note pierced my eardrums as if it were a blade of steel.

I couldn't see. I heard the violin hit the stone floor. I felt my hands on the sides of my head. I screamed and screamed, but the note absorbed my screaming.

"Stop it! Stop it!" I was roaring. But all the light was there again and she was right in front of me and she was reaching out.

"O God, Marius!" I turned and ran towards the doors. And the doors flew shut against me, knocking my face so hard I fell down on my knees. Under the high shrill continuum of the note I was sobbing.

"Marius, Marius, Marius!"

And turning to see what was about to happen to me, I saw her foot come down on the violin. It popped and splintered under her heel. But the note she sang was dying. The note was fading away.

And I was left in silence, deafness, unable to hear my own screams for Marius which were going on and on, as I scrambled to my feet.

Ringing silence, shimmering silence. She was right in front of me, and her black eyebrows came together delicately, barely creasing her white flesh, her eyes full of torment and questioning and her pale pink lips opened to reveal her fang teeth.

Help me, help me, Marius, help me, I was stammering, unable to hear myself except in the pure abstraction of intention in my mind. And then her arms enclosed me, and she drew me closer, and I felt the hand as Marius had described it, cupping my head gently, very gently, and I felt my teeth against her neck.

I did not hesitate. I did not think about the limbs that were locked around me, that could crush the life out of me in a second. I felt my fangs break through the skin as if through a glacial crust, and the blood came steaming into my mouth.

Oh, yes, yes ... oh, yes. I had thrown my arm over her left shoulder, I was clinging to her, my living statue, and it didn't matter that she was harder than marble, that was the way it was supposed to be, it was perfect, my Mother, my lover, my powerful one, and the blood was penetrating every pulsing particle of me with the threads of its burning web. But her lips were against my throat. She was kissing me, kissing the artery through which her own blood so violently flowed. Her lips were opening on it, and as I drew upon her blood with all my strength, sucking, and feeling that gush again and again before it spread itself out into me, I felt the unmistakable sensation of her fangs going into my neck.

Out of every zinging vessel my blood was suddenly drawn into her, even as hers was being drawn into me.

I saw it, the shimmering circuit, and more divinely I felt it because nothing else existed but our mouths locked to each other's throats and the relentless pounding path of the blood. There were no dreams, there were no visions, there was just this, this -- gorgeous and deafening and heated -- and nothing mattered, absolutely nothing, except that this never stop. The world of all things that had weight and filled space and interrupted the flow of light was gone.

And yet some horrid noise intruded, something ugly, like the sound of stone cracking, like the sound of stone dragged across the floor. Marius coming. No, Marius, don't come. Go back, don't touch. Don't separate us.

But it wasn't Marius, this awful sound, this intrusion, this sudden disruption of everything, this thing grabbing hold of my hair and tearing me off her so the blood spurted out of my mouth. It was Enkil. And his powerful hands were clamped on the sides of my head.

The blood gushed down my chin. I saw her stricken face! I saw her reach out for him. Her eyes blazed with common anger, her glistening white limbs animate as she grabbed at the hands that held my head. I heard her voice rise out of her, screaming, shrieking, louder than the note she had sung, the blood drooling from the end of her mouth.

The sound took sight as well as sound with it. The darkness swirled, broken into mullions of tiny specks. My skull was going to crack.

He was forcing me down on my knees. He was bent over me, and suddenly I saw his face completely and it was as impassive as ever, only the stress of the muscles in his arms evincing true life.

And even through the obliterating sound of her scream I knew the door behind me quaked with Marius's pounding, his shouts almost as loud as her cries.

The blood was coming out of my ears from her screams. I was moving my lips.

The vise of stone clamped to my head suddenly let go. I felt myself hit the floor. I was sprawled out flat, and I felt the cold pressure of his foot on my chest. He would crush my heart in a second, and she, her screams growing ever louder, ever more piercing, was on his back with her arm locked around his neck. I saw her knotted eyebrows, her flying black hair.

But it was Marius I heard through the door talking to him, cutting through the white sound of her screams.

Kill him, Enkil, and I will take her away from you forever, and she will help me to do it! I swear!

Sudden silence. Deafness again. The warmth of blood trickling down the sides of my neck.

She stepped aside and she looked straight forward and the doors flew open, smacking the side of the narrow stone passage, and Marius was suddenly standing above me with his hands on Enkil's shoulders and Enkil seemed unable to move.

The foot slid down, bruising my stomach, and then it was gone. And Marius was speaking words I could hear only as thoughts. Get out, Lestat. Run.

I struggled to sit up, and I saw him driving them both slowly back towards the tabernacle, and I saw them both staring not forward, but at him, Akasha clutching Enkil's arm, and I saw their faces blank again, but for the first time the blankness seemed listless and not the mask of curiosity but the mask of death.

"Lestat, run!" he said again, without turning. And I obeyed.